Favorite Books and Films 2017 Edition!

Favorite books! (In no particular order!)

1.) Age of Heroes Trilogy – Kelley Armstrong
I got so engrossed in this series that I plowed through the last book in one sitting, even though I had to be up early for work the next day. I loved how different the two heroines (sisters Ashyn and Moria) are from one another and the contrast in their story-lines and perspectives is presented in a way that keeps the reader invested in both of their journeys. I loved all the characters, the romance, and the unique world-building, and I can’t wait to get into some of Armstrong’s other books.

2.) The Goose GirlShannon Hale
This book was just so adorable and sweet and I absolutely loved it. The romance is probably my favorite that I read this year because it was presented in such a genuine, earnest way, and Ani is one of my favorite protagonists of all the books I read this year for her bravery, generosity, and relatable disposition. Based on the German fairy-tale of the same name, this is a more lighthearted, yet captivating tale with a protagonist who can speak to birds, and I highly recommend if you’re look for a cute, quick dive into a well-developed fantasy world.

3.) His Dark Materials TrilogyPhilip Pullman
I know, I know… I am way late to this party. But better late than never! I actually saw the film version of The Golden Compass back in 2007 and was unimpressed, which is part of the reason why I put off reading this series for so long. Now, I see what all the fuss is about; the books are phenomenal, and Pullman created a vivid and spectacular fantasy world and characters who feel real. He doesn’t shy away from controversial opinions or views (especially on religion) and the books are all the more stunning for it. Polar Bear king Iorek Byrnison (one of few things I did like in the film) shall forever be one of my favorite literary figures of all time. I think it’s better that I read this series as an adult, because some of the messages and themes hit me harder now than they would have back when these books were first published.

4.) The Great Hunt and The Great Pursuit Wendy Higgins
I was absorbed by both of these books and ended up reading The Great Pursuit all in one day, more or less in one sitting. I’m a sucker for a good fantasy, even those with familiar story-lines, and these books have enough twists and engaging characters (Aerity in particular is stellar) to keep readers enthralled through both volumes. I also really enjoyed the romance in this duology – it’s so easy to get sick of seeing the same romantic subplots over and over again, but familiar scenarios feel fresh in these books. Also, I’m glad this wasn’t stretched out over three books, as it worked very well as a duology and might have been too thin for three volumes.

5.) EntwinedHeather Dixon
This twist on the fairy-tale The Twelve Dancing Princesses (which I was unfamiliar with prior to this book) is a quick, fun read and Azalea was a wonderful heroine to read about – the sort that is “girly” without being too much of a “damsel,” and is capable of saving herself. It’s a fairly straightforward story about dancing and danger, family relationships, love, and sisters, and it manages to adhere to the familiar fairy-tale format while adding twists and turns to keep the reader on their toes.

6.) The Jessica Darling SeriesMegan McCafferty
I cannot believe I missed out on the series when it was being released – this series is a hilarious, poignant, and occasionally daring look at growing up, high school drama, deciding your place in this world, and falling in and out of love, as told through the eyes and observations of the outrageously witty Jessica Darling. I wasn’t really crazy about the last book, but the entire series works together to form an arc that captures the turbulence and the emotional journey of stepping into young adulthood, and Jessica’s voice changes accordingly in each book, which made for a pleasant reading experience.

7.) The Girl Who Chased the MoonSarah Addison Allen
A simple little read about a small town, a girl trying to find her place in this world, a woman trying to do the same, and a family that cannot go out at night, I did not expect to be so engrossed in this book, but the characters are all so realistic and well-written that it was impossible not to be drawn in. Plus, there’s a tiny bit of paranormal in it, which is just the right amount for me.

8.)  Glass Faerie, Shadow Faerie, and Rebel Faerie by Rachel Morgan
I absolutely love the Creepy Hollow books (I read Violet’s saga in a matter of like, 2 days back in 2015) and was so happy that the story continued with Emerson’s POV in Glass Faerie, with new characters and old favorites alike. With a unique perspective on the ideas of faeries and magic, compelling characters and relationships, and an engaging story-line, the latest trilogy brings the Creepy Hollow series to a fitting and satisfying end. I look forward to rereading all 9 from the start!

9.) The Girl from Mars – Brenda Hiatt
Hiatt’s Starstruck series is not a collection I expected to resonate with me, but they did on a level I didn’t expect, so I’m glad the story has continued through the eyes of a new heroine. These stories feel very genuine and are super cute, wholesome, and fun, and Kira, the titular girl from Mars, has a believable and relatable mindset that is easy to follow. I also like the world-building in this series, especially the society on Mars and the ties to Irish culture. It adds a unique twist to familiar scifi tropes, and I hope there’s another novel to follow!

10.) Walk on Earth a StrangerRae Carson
This book took me back to the good ol’ days of playing Oregon Trail in computer class back in elementary school. Set during the gold rush and following the protagonist Leah Westfall across the country as she tries to escape those who seek to use her unique “gift” to sense gold, the story is engrossing and Leah’s voice is both charming and easy to read. She is a wonderful protagonist, the plot and all the characters are intriguing, and though I haven’t picked up the next book in this series, I look forward to continuing it.

Favorite Films! (In order!)

*I am not going to include Moonlight and La La Land on this list, since they came out in 2016 and I saw them so early into 2017. Just know that I loved them both. Also, this list is just my favorites. The list of “BEST” films would be different.

10.) Lady Bird
Greta Gerwig’s directorial debut is a stunner that encapsulates what it’s like for a teenage girl to grow up and go through adolescence/young adulthood in post-9/11 America. The conflict between “Lady Bird” (Saorise Ronan) and her mother (Laura Metcalfe) is mesmerizing, and each member of the ensemble case delivers layered, nuanced performances. Plus, I think everybody who grew up in the 90’s/early 2000’s knew a Kyle, am I right?

9.) Wind River
A film I did not expect to stick with me the way that it has, Wind River is a poignant look into the state of Native American affairs in the U.S. and how Native Americans are treated in terms of the law/justice. Also, this is my favorite Jeremy Renner performance, thus far – he and Olson make a great team, and Gil Birmingham is fantastic in a supporting role, as is the rest of the cast.

8.) Guardians of the Galaxy vol. 2
“I’M MARY POPPINS, Y’ALL!” Enough said.

7.) Logan
Not gonna lie… I have about a 0% investment in the current X-men films. Actually, after the total abomination that was Last Stand, I have about a 0% investment in the past films, too. But Logan really turned it around for me, with it’s gritty portrayal of the world and the way mutants are treated, coupled with the cynical, dark, gruff, and emotionally broken version of Wolverine. Jackman’s swan song as the titular character is a fitting one, and is easily his best performance as the character overall. I usually hate excessive violence and swearing in films, but in Logan, I didn’t even mind – the film packs enough of an emotional wallop, I didn’t mind all the physical ones.

6.) Dunkirk
Admittedly, I am a Chris Nolan fangirl and thus inclined to like anything he puts out. Dunkirk is not a film I’ll watch over and over (and may never watch again) but the unique narrative structure (three viewpoints out-of-sync with one another until they converge) lack of dialogue and gripping music created a remarkable cinematic experience and atmosphere during which I was so tense I forgot to eat my Reeses Pieces. The ensemble cast turns out excellent performances all around and the cinematography is stellar. If you are a fan of war films, you should definitely check it out; though the experience in cinemas, with the sound and the massive IMAX screen, will likely be difficult to recapture in a living room on a television.

5.) Thor: Ragnarok
While I love Marvel movies, I was never much for the Thor films… especially The Dark World. But the third installment in the Thor series totally makes up for the lackluster middle film. Ragnarok amps up the humor, packs on the action, features an amazing cast, and segues nicely into the next major installment in the franchise, the upcoming Infinity War. This film is comedic gold, and features so many quotable lines and memorable scenes that I’m giggling at my computer now just remembering Mark Ruffalo dive-bombing onto Bifrost.

4.) Three Billboards Outside Ebbing, Missouri
I have never hated, loved, hated, then kind of maybe liked, then definitely liked a character more than Sam Rockwell’s character Dixon in this film. This black comedy about a woman who buys three billboards to criticize the police over the unsolved murder of her daughter is carried by an all-star cast and a plot that is original, occasionally hilarious, and full of unexpected moments that literally made my jaw drop more than once.

3.) Beauty and the Beast
Was this film needed? No. Did I love it anyway? YES.
Also, I LOVE DAN STEVENS. The end.

2.) Star Wars: The Last Jedi
Despite the massive divide in the fandom over this film, I loved The Last Jedi and thought it was an apt continuation of the series. Following directly after The Force Awakens, our new hero Rey continues to search for her place in this world, Finn teams up with a new friend to try and save the Resistance, and Poe learns a valuable lesson about what it means to truly be in command and be a leader. Packed with action, shades of the previous films, and a whole lot of new and unexpected twists, TLJ is an undeniable spectacle, no mater which side of the fandom you fall on. Mark Hamill is outstanding in his return as conflicted Jedi Master Luke Skywalker, and a particular moment between him and another character was powerful enough to reduce me to tears. Adam Driver’s evocative performance as the internally-conflicted Kylo Ren/Ben Solo has already made him the most convincing villain in the franchise, and the tension between Kylo and Rey is a major highlight of the film. You can actually feel the struggle while watching it unfold onscreen. For all the issues folks have with the film, I found it to be one of the strongest across the entire series, an “awakening” of sorts, and though I had some issues with it (Canto Bight, how criminally underused Phasma is, Snoke’s treatment, a couple of other nitpicks) it still made me all the more excited for episode IX and the conclusion of the sequel trilogy.

1.) Wonder Woman
Not only was the Patty Jenkins-directed Wonder Woman my favorite cinematic experience of 2017, the “No Man’s Land” sequence is actually my favorite film scene overall of 2017. This film is not just a great superhero film helmed by a woman and starring a woman; it’s a great comic book film overall, easily one of the best super hero origin stories, and I definitely rank it as the best superhero film of the year. Plus, it’s 10000% the best DC film thus far, no contest. Gal Gadot nails the role of Wonder Woman, the music is fantastic, the chemistry between the leads is stellar, and it’s probably the first DC film that has more than a couple of genuinely funny moments, and a lot of emotional impact to boot. It didn’t try too hard to be an amazing film or outdo similar films – and it is a badass film all on its own.

 

 

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Film Review: Beauty and the Beast (2017)

Dir: Bill Condon
Starring: Emma Watson, Dan Stevens, Luke Evans, lots of big names.
Runtime: 129 min
Spoiler Level: If you’ve seen the 1991 version, light. It’s a tale as old as time so you should probably know the gist by now…

I am part of the lucky generation who grew up during the majority of the “Disney Renaissance” period, which started with The Little Mermaid (1989) and concluded with Tarzan (1999). Though I love all of the titles that came out during that decade, my favorite installment in the echelon of Disney’s most enchanting films is 1991’s acclaimed Beauty & the Beast.

Beauty-Beast-2017-Movie-PostersWhen I heard that Disney was planning to make a live-action version of the animated classic, I was conflicted. The recent Disney live action remakes have been impressive in their own way – Cinderella (2015) added new dimensions to a well-loved story, The Jungle Book (2016) brought new twists and amazing visuals, and the heart-warming Pete’s Dragon (2016) had a bigger impact than the animated version. But when it comes to one of Disney’s most iconic properties, why even do a remake? What can a remake accomplish that the original – a critically-lauded, award-winning, massive success – didn’t already do? What is the purpose of a remake, besides taking a cartoon and making it live-action?

As such, it’s easy to dismiss movies like this as a cash-grab…and on some level, this film is one. Blatantly, even. But Disney’s 2017 spin on the tale as old as time contains almost as much magic as the original – it’s a faithful, gorgeous adaptation that breathes new life into a familiar tale of love, family, and the true meaning of beauty.

Like the original fairy-tale and the 1991 classic, Beauty and the Beast follows Belle, the titular “Beauty” who is considered odd by the other residents of her small, provincial town. After trading her fate for her father’s in a life-changing decision, Belle becomes a prisoner of the mysterious (and mega-grouchy) Beast in an enchanted castle full of magical objects. But as the pair spends time together, both Belle and the Beast begin to discover that there might be something there that wasn’t there before.

The cast is superb; especially considering, unless you’ve never seen the original, it is difficult not to compare them to their 1991 counterparts. For me, there were no major moments of “Oh, so-and-so was/is so much better than so-and-so” during the film- the new voices and faces were not swallowed by the shadows of their predecessors. Emma Watson is mostly lovely (but also wooden at times) in her role as Belle, while Dan Stevens growls and charms as the Beast, and their chemistry (even with Stevens cloaked in CGI) creates a captivating romance. Ewan MacGregor makes a fine Lumiere, who gleefully (and frequently) spars with the uptight Cogsworth, played by a wonderfully gruff Ian McKellan. Emma Thompson channels the maternal mentality of Mrs. Potts, while newcomer Nathan Mack brings cheer to spunky teacup Chip. Audra McDonald is brilliantly bombastic as Mme. de Garderobe, and Stanley Tucci, as the harpsichord Cadenza, is a pleasant addition to the ensemble. Gugu Mbatha-Raw is great as Lumiere’s love, the feathery Plumette. Kevin Kline’s turn as Maurice, Belle’s father, is a spirited change; Maurice was more of a kooky, bumbling-yet-lovable oaf in the animated feature, but in this version, his character is granted a more solid identity, and his motivations are made clearer.

Luke Evans nails his role as the suave, ego-maniacal villain Gaston, providing a convincing blend of brawn, arrogance, and Machiavellian scheming, while still somehow managing to earn a few laughs. And while he might not actually be “roughly the size of a barge” in real life, Evans’ spectacular vocal ability makes up for it, and his performance is one of the highlights of the film. Josh Gad’s portrayal of LeFou, Gaston’s sidekick, is another example of excellent casting – he manages to balance the comic-relief with genuine characterization. The role garnered some buzz prior to the film’s release due to the revelation that the character in this version is meant to be gay, an announcement that caused some (ridiculous) backlash. I was expecting the change to be obvious, but the role is, other than a few nuances, very similar to his cartoon counterpart, so the inclusion of his sexuality is more “blink and you miss it” than anything else, and it’s been blown massively out of proportion. Also, shout-out to whatever horse (or horses) played Philippe, because damn, that horse had to run. I got tired just watching him.

Since the film is padded by about 50 minutes of additional running time compared to the original, a significant amount of new material is packed in – and the bulk of it helps to answer questions and sew up plot holes from its predecessor. The Beast’s curse is discussed in greater detail, the Enchantress has an expanded role, we get more insight into both Beast’s and Belle’s backstories, several characters get new “layers” to their personalities (the Beast ACTUALLY READS some of the hundreds of books in his library, for example), elements from the original fairy-tale are woven into the narrative, some humor is sprinkled in (I full-on LOL’d at least three times), and, of course, there are new musical numbers – so the Beast finally gets to belt out his own anguished solo. The additions and tweaks served to expand the story, while keeping the original plot largely the same; a compelling combination of both old and new.

One major draw of the animated film is the music; Alan Menken and Howard Ashman’s original score and songs are some of the greatest in Disney’s ever-growing jukebox. Though a handful of lyrics have been altered for the new film, the big songs manage to retain their allure; “Gaston” and “Be Our Guest” are delivered with spectacle and enthusiasm (thank GOD they kept the “I’m especially good at expectorating” line), and Emma Thompson capably captures the charm of “Beauty & the Beast,” holding her own against Angela Lansbury’s version. I also loved “The Mob Song,” and was thrilled that Audra McDonald  featured in “Beauty & the Beast – Reprise.” The score from Beauty & the Beast has always been my favorite from Menken, and the new film introduces additional themes/motifs that blend seamlessly with the original sound, which somehow accomplishes the difficult task of making an already amazing score even better.

As expected, the visuals of the film are stunning. Tangent; since I’m a slave to consumerism, I shelled out for the IMAX 3D and definitely thought it was worth the extra cash. Generally, I prefer IMAX because it’s mega loud and can usually drown out any obnoxious chatter in the theater. I know some folks consider 3D superfluous, and they’re right about 97% of the time, but that doesn’t mean it isn’t freaking cool. I like 3D, so sue me. Maybe I want a tiny teacup flying at my head, OKAY? Sprinkles aren’t necessary on ice cream, but I will enjoy them if given the opportunity, even at an additional cost. End tangent. The new interpretations of the characters (including the Beast) are fitting for a somewhat “darker” atmosphere, and the sets are breathtaking; the castle in particular. The costumes were also brilliant (I liked the more “French” flair to the outfits) and, though it’s early, I would not be surprised by an Oscar nod for the costuming, or the set design.

Disney faced a tall order when they decided to tackle a live-action remake of their already-beloved tale as old as time, and this new interpretation hits a lot of high notes. That said… I do have some complaints. Allow me to remove my rose-tinted nostalgia goggles and discuss the less magical aspects of the film…

While we get a peek into the Prince/Beast’s backstory, I would have liked a closer look. His backstory is touched upon, but not explored enough to answer subsequent questions. My curiosity was piqued, but left unsatisfied, and it makes me wonder if a longer look into his past was left on the cutting room floor. On a similar note, some of the more “emotional” scenes in the film did not strike me quite as hard as they did in the animated version. I’ve seen the transformation scene about 7 billion times and I get choked up each and every time; but not in this one. Then again, I did get a little teary during the finale. So maybe it just took my tear ducts a moment to catch up. The editing is also choppy in places during the first arc of the film, but nothing too grating, and the message is too heavy-handed at times, especially when it comes to Belle’s (and the film’s) insistence that she is “not a princess,” as a “show not tell” approach would have likely been more effective.

It is also worth noting that the entire cast can sing. Nobody is onscreen wailing like a dying rhino, ruining the music, and I wasn’t cringing in my seat during any of the big numbers. But it is noticeable (and somewhat distracting) when some members of the lead cast can sing, while others can sing. This is most apparent with Watson’s performance as Belle. I’m not saying that she’s a bad singer, because she isn’t – but the auto-tuning made the distinction more jarring, especially when coupled with seasoned vocalists like Audra McDonald or Luke Evans. This Belle had an innocent, sweet sound to her voice – fitting for the young woman who yearns for adventure in the great, wide somewhere – but it sounded unnatural at the same time. If you stack Watson against Belle’s original voice, Paige O’Hara, or Susan Egan, the original Broadway Belle, it is no contest, but I still would have preferred an authentic sound over the saccharine sheen of auto-tune.

Also, while I liked the added songs, none of them stuck in my head apart from “Evermore,” the Beast’s solo number –  it brought new emphasis to Beast’s emotional state at that point in the narrative. The absence of “Human Again,” the song cut from the 1991 film, was a huge disappointment; it’s replacement, “Days in the Sun” is nice, but it doesn’t pack as much punch as the original tunes. I also hoped for one or two of the songs from the Broadway musical to get tossed in, especially the haunting “If I Can’t Love Her,” but “Evermore” served a similar function, and the score does include a motif from “Home” in the scenes where Belle examines her new living quarters, which was a nice nod to the Broadway version. Perhaps Menken and co. preferred to inject new material because they are gunning for on Oscar; if so, “Evermore” is their best bet. It’s early, but I’d love to see it earn a nomination.

Overall, the film preys on nostalgia, but that’s all part of “the business.” At least there’s actual effort and work put into it, as the additional material shows. Was this film necessary in any way? No – because the original film didn’t need to be improved upon in any meaningful capacity. But Disney’s latest remake is not a soulless, vacuous copy-and-paste job like some cynics would lead you to believe; it’s a refreshing look at a familiar story, and if you’re a fan of the original, I’d suggest giving it a fair chance. It’s not like you have to like one version and hate the other, and I think some folks set their expectations for this film so high that anything less than perfection was doomed to fall out of favor. Regardless, it is possible to appreciate both versions of this tale; the new allows for a revitalizing look at an enchanting classic, and the old maintains timeless magic and a concise, yet effective story. Besides, if you’re one of those folks who are anti-remake (I am most of the time, but it depends on the film) you should probably strap in for the long-haul, because there are plenty more on the way.

While it’s true that this film did not need to be made… I’m glad it was, flaws and all. With this installment in it’s continuing stream of live-action remakes, Disney has crafted a spell-binding experience made to charm old fans and woo new ones, and if you’re on the fence about seeing it, or if you’re one of the adamant naysayers, I’d say it’s worth seeing if you’re willing to go into it with an open mind. It might be bittersweet and strange, finding you can change, or even learning you were wrong.

Overall rating: 8.5/10

 

Tale As Old As Time

Some stories contain a message so pure – so resoundingly true, and profound, even in their simplicity – that the words withstand the trials of time, and echo in the hearts and minds of dreamers and believers of all ages.

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Front balcony seats ftw!

I was never much of a “girly-girl” growing up. My older sister played with Barbie dolls, while my favorite was Scuba-Diving Ken. He lost his head in a tragic snorkeling accident and I didn’t much bother with dolls after that. But a part of me has always had a soft spot for fairy-tales, particularly those re-imagined by Disney.  And Disney’s 1991’s animated masterpiece is one of my favorite films of all time, a timeless tale of love and redemption – so when I had an opportunity to get tickets for the stage show, I dove on it.

Last night, my mom, sister, and I went to see the touring production of Beauty & the Beast while it was in York, PA, at the Strand Capitol Performing Arts Center. As a fan of both Disney and Broadway musicals, I was extremely excited to see one of my favorite stories brought to life onstage. I’d seen the touring production when it came to Baltimore over a decade ago, but the only thing I remember about that is getting lost on my way back from the bathroom and missing several minutes of the show. Then again, I was seven. I still have my souvenir rose from that production.

Now, I’m twenty-three. I don’t believe in fairy-tales, and don’t particularly want to be a princess. But there’s something inherently magical about a story like Beauty & The Beast that attracts a variety of different people. While I’m not a fan of children, it was pretty cute to see all the little kids there, excited for the show – and there were lots of little girls in Belle / princess costumes. There were a loads of twenty-somethings, older couples, groups of friends, theater kids, and families.

The theater itself is beautiful, with decent acoustics, and we were lucky to get tickets on the front balcony, so I (a dwarfish 5’3″) would not have to crane my neck to see the performance. By the time the lights went out and first notes of the Overture began, I knew I was in for something special.

During the show, my expectations were met, then exceeded. The musical remains true to the heart of the Disney film, retaining many of the songs, lines, and dialogue, while adding several new elements and expanding on certain aspects that were not a major factor in the film version. There are new songs that help convey the emotions of the characters, and expand upon the humorous, egotistical attitude of Gaston (‘Me‘,) the plight of the cursed objects (‘Human Again,’ originally intended for the film,) the turmoil of the Beast (‘If I Can’t Love Her‘ and ‘How Long Must This Go On?‘,) and an altered version of ‘Something There‘ that expands the romantic development between Belle and Beast.

Each actor/actress suited their role, remaining true to the original characterization while adding their own spirit to the already-familiar quirks of each character. For me, the highlights were Belle (Brooke Quintana), who nailed the ‘Belle – Reprise’ and gave me chills during ‘Home‘, Beast (Sam Hartley) who performed a moving rendition of ‘If I Can’t Love Her,’ my favorite song in the show, Gaston (Christiaan Smith-Kotlarek) who balanced humor, narcissism, and villainy while delivering some of the funniest moments (“I’m especially good at expectorating” is my favorite line, not sure why…), Lumiere (Ryan N. Phillips,), Cogsworth (Sam Shurtleff,) Mrs. Potts (Stephanie Gray,) Babette (Melissa Jones) and Madame de la Grand Bouche (Stephanie Harter Gilmore) as the Beast’s often-hilarious “family” and support system as he tries to become a real “gentleman” and prove himself as a worthy match to Belle. The entire cast, every singing plate, dancing carpet, townsperson, and living statue, enhanced the experience and helped bring the magic of the story alive onstage.

The familiar songs were wonderful, especially ‘Gaston’ with a pretty amazing synchronized cup-clinking interlude, and ‘Be Our Guest‘ which ended in an explosion of streamers. Quite the nostalgia trip. We saw what I believe to be a more ‘streamlined’ version of the musical, as ‘No Matter What‘ and ‘Maison Des Lunes‘ were cut, but that didn’t detract from the production, as there were plenty of songs, both new and old, to enjoy. The orchestra was brilliant, the overall set design was impressive, especially the puppets for the wolves/Enchantress and all of the elaborate moving set-pieces, and the costumes (in particular, for the enchanted objects) were incredible. Even with the changes, the message of the story itself, that beauty comes from within, remains at the core – and shines through each aspect of the show. Also, the dancing rug was a major highlight. Could not stop laughing for a solid minute after he came onstage.

Shout-out to the very nice usher who took at least 6 photos of us until my sister was satisfied.
Shout-out to the very nice usher who took at least 6 photos of us until my sister was satisfied.

My sister isn’t as much of a musical buff as me or my mom (though she does like them), but Beauty & the Beast is her favorite Disney film. I looked over at her as the last notes of the finale rang out in the theater. I was a little teary-eyed, as I am during the finale of almost every musical, but that was nothing compared to my sister. She turns to me, tears coursing down her face, and says, “I’M *EXPLETIVE*-ING SOBBING.” I laughed. Heavily. Which helped prevent me from dissolving into a tearful mess myself. Even my mom got a little teary, which just goes to show the power that a story can have.

The tale of Beauty & the Beast is a simple one. That love can conquer seemingly unbeatable odds, beauty truly comes from within, and that it is never to late to change for the better. Sometimes, the simplest stories are the most memorable ones – the ones that echo in our hearts for years, like a well-loved song. And that is the reason why Beauty & the Beast, in all its forms, truly is a tale as old as time, and always will be.