A Couple of Announcements…

In lieu of an actual blog post today, I’ve got a couple of future matters to discuss.

The first, is that I’m taking my YA novel I’m With You on a virtual book tour via RABT Book Tours later in August, and for most of September! I’ll be doing interviews, guest posts, etc. on a number of different blogs for about a month.

Here is the link to the upcoming tour if you want to have a peek: LINK! And check out some of the other tours on their sidebar, as well! I’m very excited to kick off the tour in a couple of weeks, and I’ll be posting updates about it as it comes nearer and while it’s going on, so stay tuned!

Other than that, I’ll also be starting a new blog series in September called Manga Mondays. I used to be a pretty big collector and have shelves of manga that I haven’t read in several years, with numerous completed series and a few incomplete series. As a bit of an “experiment,” I’m going to re-read (and, in a sense, re-review) them and see how my perspective has changed now that I’m older.

Some of the series I will be looking at:

Fruits Basket by Natsuki Takaya
Hana-Kimi by Hisaya Nakajo
Godchild by Kaori Yuki
Beauty Pop by Kiyoko Arai
Kingdom Hearts (I&II) by Shiro Amano
Love Com by Aya Nakahara

The first installment is tentatively scheduled for September 4th, 2017, but I haven’t picked a series to start with. Not entirely sure if it will be a weekly post, every other Monday, or on random Mondays – it all depends on how quickly I can read.

So there’s a couple of things to look forward to on the blog! See you on Friday for a new Game of Thrones post!

Writing Rewind #8: Wings of Fate Chapter 5

On our last Writing Rewind excursion, Heiwa and Daisuke discovered they were roommates and Heiwa took a tour of the UNMEI with Sergeant Kahler. Now, the real adventure is about to begin… with training! Will Heiwa’s first training session go off without a hitch? Probably not!

KEY/GUIDE:
Strikethrough = cut out
Highlight = rephrase/reword/awk
Blue highlight = minor additions
DANGER RED HIGHLIGHT= massive cringe

CHAPTER 5 P 1

Sigh. Again, the set up for the chapter doesn’t need to be so… tedious.

CHAPTER 5 P 1 CHANGES

Too much inner and outer dialogue, and can easily be rectified with some slicing and dicing. And the remains of the slicing must be reworked in order to flow better.

CHAPTER 5 P 1 FIXED

There! Set up is effectively pared down and not such a drag. However, there should be a comma after “training” in Daisuke’s second bit of dialogue; didn’t notice that until now. Reading over things multiple times is important, folks. Clearly, I am a bad example.

Next up, Heiwa’s having a jolly old time as training starts under the supervision of Lieutenant Kurokawa and Colonel Berkmann… and by jolly, I mean miserable.

CHAPTER 5 P 2.PNG

*sharpening axe*

So clearly, our protag is having an awful time. But we don’t need to hear about it ad nauseum. Really.

CHAPTER 5 P 2 CHANGES.PNG

The usual changes are emphasized here; less talk, and more clarity.

CHAPTER 5 P 2 FIXED

Much better! Though, really, I should scrap the ComBoards idea.., since tablets are a thing. But they weren’t a thing in 2005, so cut me some slack.

CHAPTER 5 P 3.PNG

Heiwa’s suffering at the hands of Colonel Berkmann goes on for like, 2 pages. So… that needs to be addressed. Because it definitely does not need to encompass 2 entire pages. I am not a sadist.

CHAPER 5 P 3 CHANGES.PNG

I think even more could probably be chopped off here, but basically, we’ve got more of the same old, same old. Colonel Berkmann’s dialogue can be curbed and Heiwa’s self loathing can be slimmed.

CHAPTER 5 P 3 FIXED

Much cleaner, still as mortifying for our hero, and nothing of note lost. I mean, not sure if “drop and give me fifty” is still a relevant punishment, but I’ll stand by it.

Next up, some more suffering for our dear hero, as Colonel Berkmann has pieced together who Heiwa’s father was…

CHAPTER 5 P 4

Blah, blah, blah… again, doesn’t need to be this long.

CHAPTER 5 P 4 CHANGES

Petition to never use “orbs” as a way to describe eyes ever again!!!!!!!!!! GAHHHHH. I dread how often this is going to recur, though I know for certain it will rear its ugly head again…

CHAPTER 5 P 4 FIXED

So, Heiwa’s suffering is much more concise, now! And Colonel Berkmann’s alleged “cruelty” remains intact.

After the disaster that is the first training session, Heiwa and Daisuke set off for lunch. Naturally, everyone is pissed at Heiwa for his behavior, but one lone wolf strays from the back to befriend them – a young woman named Robin. And they get to talking about the mysterious mission they are on…

CHAPTER 5 P 5.PNG

Repetitive and repetitive, said the New York Times…

CHAPTER 5 P 5 CHANGES

We know about Heiwa’s dreams already – it was discussed in the first couple of chapters. We know Heiwa wants adventure and he believes in myths and legends. That bit doesn’t need to be dredged up again and again in the same way; the reader knows it.

CHAPTER 5 P 5 FIXED.PNG

Better – it illustrates the differences between Heiwa’s and Daisuke’s perspective, without beating the dead horse too much. Plus, some new info gets passed on thanks to our new character!

Last up,

CHAPTER 5 P 6.PNG

The foreshadowing doesn’t need to be so… prominent. It’s already been hinted at, but the point of a hint is to be subtle, and this passage is not subtle.

CHAPTER 5 P 6 CHANGES.PNG

Short and sweet is the key! Most of this segment can be hacked away…

CHAPTER 5 P 6 FIXED

Dun dun dun! What could Dr. Black mean in this shorter, and much more effective section? WHO KNOWS? We won’t find out next time, I can tell you that much. But we will find out eventually!

Next time, Heiwa meets someone very, very interesting… someone who may hold the key to the adventure he longs for.

Worth 1000 Words #10: Reese

On a Wednesday night in 2007, I received a cryptic text message from my older sister while watching the latest episode of Lost. The message contained only one word.

Meow.

Some time later, I was dozing off on the couch when my sister returned home and deposited something furry onto my lap. I opened bleary eyes to see a small, mewling tortoise-shell kitten blinking at me.

That is how we came to own Reese. Technically, her full name is Reesie Lynn (my sister is to blame for that abomination of a moniker, we had exactly 0% input) but we have more or less only ever called her Reese. Sometimes, I call her Kit-Kat. Just to be contrary.

IMG_20170629_102725_202.jpgI think Cat People are Cat People for a reason. Cats are often thought of as fuzzy companions who don’t require constant attention; they’re adorable, not terribly messy, and can provide some warm, cuddly comfort on bad or rainy days. But Reese apparently has never read a single page of the “cat manual” because she doesn’t act like a standard cat at all; though Reese does provide ample fodder for my instagram, because she is cute, if nothing else. And if you think I can’t babble on and on about my cat for 1000 words, then think again!

Reese has never been much of a cuddle-buddy; the only time she ever feels like snuggling is at night, but only for about an hour before she gets bored, and she typically only solicits one person to cuddle with before departing back to the bowels of the basement so she can get the couch covered in fur. She loathes being picked up, and in order for us to trim her nails, I have to wait until she is asleep or groggy, then scoop her up when she is vulnerable – often, this results in being kicked in the chest/nose/throat when she inevitably rebels. She refuses to meet strangers, and I suspect some family members might not even know we have a cat, since she won’t show her face in the presence of visitors. My best friend house/cat-sits for us whenever we go away for any length of time, and during a 10 day absence, it took 4 days for Reese to be in the same room with her, and even then, she rubbed her head against my friend’s hand while hissing at her. So, claiming that Reese is fickle would be a drastic understatement. When I went away to college, it took several days during each school break to get her used to me again; I had to endure lots of dismissive tail swishing and scrambling away before she deemed me worthy of her good graces again.

She loves to sit outside on the enclosed patio and cackle at birds and bunnies, either because she wants to be their friend, or she wants to eat them, I’m not entirely sure. She greets me at the door every day when I get home from work or wherever, usually meowing her head off as she gets my black pants covered in her fur. I like to think that it’s because she misses me when I go away, but I’m fairly sure it’s because she’s just hungry. And boy, she’s perpetually hungry. She expects to be fed at around 5/6AM every morning, since there’s a couple of super early-risers in the family, so now, she’s accustomed to a schedule and there’s almost no chance of everyone being able to sleep in – not if Reese has anything to say about it. When she’s hungry, she is vocal. And then, even after breakfast, she expects snacks. Several of them. She also thinks she can trick us into feeding her more if she begs and whines at each person in the family, but fortunately, we are able to see through her ploys. It’s a wonder she isn’t shaped like a bowling ball with how much she tries to eat, though we’ve managed to regulate her diet well, despite her best efforts. Reese also loves to distract me while I’m trying to write; at the moment, she is sitting beside her food bowl and staring at me. She will not break me, though. I am steadfast – I can resist the food-mongering wiles of any cat, no matter how cute! Though, I must admit, she is especially “awwww”-worthy when she chases the laser-pointer around the living room.

A few months ago, I bought Reese a new bed; a nice quality one that I was able to snag at a great discount. Did she appreciate my generosity? NOPE, she actually prefers the comfort of a cardboard box, or a plastic bag laying on the floor. Her idea of a five star resort would be a kingdom of boxes and bags. We actually have fashioned a “cardboard apartment” of sorts for her to use, and she loves it. She’s a creature of simple comforts, I suppose… she did eventually warm up to her new bed, and it is now positioned on the floor beside my bed, so when she gets fed up with me, she has somewhere to escape to.

Reese is not a typical cat; but she’s my cat. She doesn’t like cuddles, but to be totally honest, neither do I, so it works out well. She’s an introvert, and can sometimes be downright obnoxious with her constant appealing for food, but she occasionally shows off her softer side. If I scratch behind her ears or she rolls over to let me pet her tummy, she might even deign to purr a bit, like a fuzzy motorboat. Sometimes, during her rare affectionate moments, she will rub against my legs, even when I’m trying to walk up the stairs… I refuse to believe it’s because she wants to trip me, though, sadly, that wouldn’t be much of a shock. I often suspect she’s the furry offspring of some feline version of Satan, but even if that’s true, she’s my furry offspring of Satan, and I wouldn’t have it any other way.

Writing Rewind #7: Wings of Fate Chapter 4 Part 2

Let us continue our slog through my decade-old manuscript! Our unlikely hero Heiwa has bid goodbye to his family and is now aboard the UNMEI, still hoping for his chance of a lifetime! Who will his roommate be? What are the rest of the commanding officers like? Let’s not tarry… it’s time to resume our ADVENTURE!

We’re picking up right where we left off, with Heiwa venturing to his room assignment.

KEY/GUIDE:
Strikethrough = cut out
Highlight = rephrase/reword/awk
Blue highlight = minor additions
DANGER RED HIGHLIGHT= massive cringe

ch4 p2 p1

*eye twitches* So much needless detail and suspense for literally the smallest thing. Heiwa discovering that his roommate is Daisuke should not take half a page.

ch4 p2 p1 changes

Ah, it’s axe time! My favorite time! Some of this dialogue also needs to be shaved down and reworked, as Heiwa and Daisuke don’t need to be saying the same thing a bajillion times. And that awful reference to Heiwa’s “jade eyes” is going in the trash heap.

ch4 p2 p1 fixed

Honestly, I could probably trim even more from the first paragraph, but this version still builds on Heiwa’s anxiety without going horrifically overboard. The dialogue is pared down, and cleaner. And let’s not mention the odds of Heiwa and Daisuke actually ending up as roommates… I took some liberties. Stranger things have happened.

Next up, we’ve got…

ch4 p2 p2

Alright, alright… there is no way that Heiwa and Daisuke would be permitted to just sit on their beds as the airship is taking off. That can’t be appropriate safety regulations in any instance.

But, along with that, there’s a myriad of other things to change! GOD, WHAT FUN!

ch4 p2 p2 changes

Trim, trim, trim, cut, cut cut, and tweak, tweak, tweak! There’s a lot of clunky wording to be reworked, and details to be changed.

Also, I’ve got a recurring issue with dialogue tags having a descriptive adverb , when a new word can just be used. So, “said excitedly” can become “crowed” or something similar, and it gets the same point across in a more effective way.

ch4 p2 p2 fixed

Ahhhhhh, much better! And boy howdy, I am going to get sick of changing the “V” in “von Schneider” to lower-case every single time it comes up, but it must be done. This is my penance.

So now, the safety regulations have been somewhat addressed, and the whole take-off process is condensed down into a more succinct passage.

For our next selection, let’s go to…

ch4 p2 p3

I’m not sure Sergeant Kahler got his point across well enough. He only said the same thing four times.

The main issue here is wordiness, per usual, so my proposed changes are…

ch4 p2 p3 changes

The last bit dwells too much on Heiwa’s thoughts on Dr. Black, just like Sergeant Kahler dwells too much on his threats in the first bit. Plus, the same issues that crop up again and again need to be fixed…

ch4 p2 p3 fixed.PNG

Much better! Shorter, sweeter, and to the point… er. I guess. Anyway, it’s shorter; that’s the main point.

Lastly…

ch4 p2 p4.PNG

What a SHOCK!!!! There’s a female commanding officer!!!! God, so progressive. Anyhow, point is, the shock needs to be toned down, because it isn’t a huge deal in a futuristic scifi epic – it should be expected, or, at the very least, not a massive, jaw-dropping stunner. It shouldn’t even be a big surprise today, honestly.

Plus, lots of other things need to be amended.

ch4 p2 p4 changes

So much to fix… exhaustion setting in… we’re in the final stretch of this chapter, now. Must. Not. Give. Up.

Here are the changes in place!

ch4 p2 p4 fixed

Daisuke’s oohing and aahing is toned down a bit, the wordiness is rephrased, and some of the other dialogue is tweaked. Also, no red highlights this time! That doesn’t mean much, though… there’s still plenty of cringe here, just on a smaller scale.

Alright, so that wraps up chapter 4! Next time, we get to officially meet Colonel Berkmann, and Heiwa attempts to make a good first impression during training. Will Colonel Berkmann have some kind words for Heiwa? Probably not, but you never know! Stay tuned next time for Wings of Fate, Chapter 5: The Colonel’s Words.

Film Review: Beatriz at Dinner (2017)

Dir: Miguel Arteta
Starring: Salma Hayek, John Lithgow, Connie Britton, Chloe Sevigny, etc.
Runtime: 1hr 23min
Rating: R
Spoiler Level: Super lite

After viewing this film, I’ll say one thing for certain; I am so glad that I was not invited to this dinner.

Beatriz_at_Dinner.jpgBeatriz at Dinner follows the titular character, an employee/massage therapist at a cancer treatment center, who ends up staying for dinner at a client’s house when her car fails to start. Beatriz attempts to navigate the evening while reflecting on her personal circumstances and how they compare and collide with the wealthy lives she is surrounded by, ultimately creating tension between her and powerful businessman Doug Strutt.

The film follows a relatively simple premise, and is buoyed by the stellar performances from the cast. Hayek is brilliant as Beatriz, the central character, and capably delivers a range of tangible emotion, from quiet, tempered despair, to deeply-rooted resentment, to cautious hope for the future. Lithgow is irritatingly good as Doug Strutt; I love Lithgow, but definitely felt that he needed a good punch in the face for this role. Britton, Sevigny, Amy Landecker, Jay Duplass, and David Warshofsky all play their parts as poised, simpering, shallow, occasionally frustrating, and yet multi-layered members of this dinner party. Each character could easily be a real person and each actor delivers a convincing and thought-provoking  performance with complexities that make it difficult to really hate any of them, with perhaps the exception of Lithgow. Everybody knows somebody like each of the dinner guests, and that is the strength of the film; it is a believable tale, with believable people and a relevant message. Even the “bad guy” isn’t just a standard corporate suit caricature; he’s got layers, like an onion. But the film is mostly carried by Hayek; the camera follows her every move, analyzes every tiny facial expression, and navigates her story, though it never really delves deep enough into her psyche to give us a clear picture of Beatriz’s motivations or the underlying reasons for her conflict with Strutt. There are clues left, and theories that can be woven together to make some semblance of an answer, but much of Beatriz’s psyche remains a mystery, even as the film draws to a close.

Since the film takes place predominately over the course of a single dinner, the pacing is a bit slow, but there is enough happening that the progression does not feel like a tedious drag. The tone is fairly balanced, and the dialogue is believable; I feel like I’ve heard people having similar conversations and discussing similar topics, but the writing did not feel tired or overdone. The tension in the film is also palpable; as the dinner drifts into different topics and controversial statements, the awkwardness and discomfort is real. There were several parts that made me squirm in my seat, as the discomfort was practically radiating from the screen. It’s a film that creates a very definitive mood, and it succeeds in it’s ability to generate a realistic atmosphere and emulate situations and characters that could very well exist in the world today, and probably do.

Unfortunately, the film’s efforts at subtlety occasionally miss the mark and fall more ham-fisted than is intended, or fly too far beneath the radar to be thoroughly detected. Overall, the film utilizes a commentary that is easily applicable to the world today and features an extremely prevalent message about society/money/greed, and for the most part, it comes across beautifully, but there are moments where the film picks up steam only to abruptly lose momentum and grow aimless. The end also left me with more questions than answers, and though I think films that stir up questions and make the viewer wonder are often a good thing, Beatriz at Dinner raises a few too many ambiguities and the conclusion comes across as “unresolved.” However, for the performances and the commentary alone, the film is definitely worth checking out, though lingering mysteries and dangling threads might leave you more frustrated than appeased. But if you’re looking for an action-based thriller with a quick pace, then this dinner party isn’t for you.

Overall rating: 8/10

Writing Techniques: Time

I think most folks can agree that there isn’t enough time in the day to accomplish all the tasks that need to be done. But – and I’ll admit, I’m biased – I think this is especially true for folks with creative careers/ambitions.

Like many aspiring writers, I have to work a day job. I do full-time shift work in a field that is totally unrelated to writing, so my schedule varies from week to week and shifts from day to day. For example, this week my start times are 7AM, 5AM, 5AM, 3PM, 4PM. Sometimes I have to work overnights, then flip it around to dayside right after. There are occasional bouts of consistency, but it’s hard to develop a routine when just about every day I have to adjust what time I wake up, go to the gym, prepare meals, do chores, etc, in addition to a work schedule that frequently changes.

So, the struggle becomes finding time to write. My schedule is obviously not as demanding as some, but it can still be difficult to find the appropriate work/life/other work balance. I’ll admit, it isn’t often, but there are days where I’m on the go from 5AM-6PM and by the time I get home, eat dinner, and take a shower, exhaustion takes over and the last thing I have energy for is cracking open a Word document and trying to put competent thoughts down into writing.

Weirdly enough, it was easier for me to schedule writing time when I was in college and writing I’m With You, even though I worked 2 jobs for the majority of that time along with a full course load every semester, and a partial course load in the summers and winters. Fortunately, my schedule, while busy, was consistent from week-to-week, so for the entirety of my senior year I didn’t have to scramble my plans and obligations around to find a solid chunk of writing time. For a while, Fridays were also dedicated to writing from about mid-afternoon on; my most productive writing sessions occurred during that window. Friday nights were also dedicated to being in my pajamas by 5PM, having cereal for dinner, and watching at least 2 episodes of Hoarders, but that’s irrelevant…

I can imagine that it is hard for a lot of people to schedule time for writing; but it’s important to do so, especially if your days are hectic. “Oh, I’ll do it later” all too easily turns into hours passing by unnoticed, and suddenly, it’s 11 at night, your alarm is set to go off at 5AM, and you haven’t written so much as a word all day, and that is the worst kind of feeling.

My personal strategy to combat this is simple; set aside a designated time (15 minutes at minimum) depending on the day. A white-board weekly calendar hanging above my desk assists with this. It’s such a basic plan, but writing down my schedule for the day makes it much easier to visualize the breakdown of the time I do have, so I’m able to set aside a specific block for “writing time.” This doesn’t work 100% of the time, due to unforeseen circumstances popping up or last-minute plan/work schedule changes, but that’s the great thing about white boards! You can erase and start over, good as new!

Ideally, I try and fit at least a couple of hours of writing into each day, be it a blog post like this one, character development, free writes, actual drafting, or just dabbling with an outline or some new ideas. On my days off from work, I can sometimes spend an entire day at a Word document, pounding out potential content or shifting between a couple of different projects. Some days are more productive than others, and that’s fine. I might (and by might, I mean, I definitely do) look back on previous writing and cringe at how poor it is, even if I only jotted it down the day before. It’s all fine; it’s all part of the process. As long as I get something of substance down on paper or in a Word document each day, I chalk it up as a victory. Journaling also helps with this, because it ensures that I do at least a bit each day, even if it’s just a sentence or two.

And when those “unproductive” days happen – where my schedule allows for no writing at all – I try and do better the next day instead of calling myself a failure and wallowing in despair. I mean, I never shut my brain off, so when I can’t fend off a sudden brainstorm or have a stroke of creativity, I whip out my phone and text the idea to myself. On my phone, I have a massive text chain to myself that is just random snippets of dialogue, scenarios, or descriptions, and it’s actually been very helpful when I’m on the go and only have a few seconds to jot down an idea. This tactic really helps when I conjure up bits of dialogue and want to remember it exactly, because lord knows if I don’t make note of it immediately, I will forget when I sit down to formally type it out later. You can’t control when inspiration strikes; I find that I have to write it down quickly, in a text or scribbled on a sticky-note, unless I want to lose it.

So, the gist is, even when there’s no time, never stop trying to make time for writing. I know that when I don’t write for any notable length of time, I feel unfulfilled, and it makes it so difficult to build or maintain momentum. There are never two non-writing days in a row, ever. Life does get in the way; but it can’t be a permanent obstacle.

Writing Rewind #6: Chapter 4 Part 1

On our last trip down memory (and cringe-worthy) lane, Heiwa, with some persuasion from the folks in his life, decided to go on the life-changing mission aboard the UNMEI. It took 10,000+ words for him to come to that conclusion. We are literally 30,000+ words into this story and just hit the official start of the main plot. That is 1/3 the length of my first published novel, for reference…

Not much recap to do, so let’s get started!

KEY/GUIDE:
Strikethrough = cut out
Highlight = rephrase/reword/awk
Blue highlight = minor additions
DANGER RED HIGHLIGHT= massive cringe

CHAPTER 4 P 1

*pours fifth cup of coffee* Settle in, folks. It’s going to be a bumpy ride!

Per usual, this selection is bogged down by heaps of detail that are totally unnecessary and which add nothing to the story. So, it’s time to chop it up and glue it back together into something a bit more cohesive!

Here are the proposed changes…

CH 4 P 1 CHANGES

The start of a chapter should not be such a drag. It needs to accomplish the set up in a way that isn’t so slow and wordy. A lot of the detail in this isn’t needed at all; Heiwa’s week leading up to the mission isn’t important to the grand scheme, so that paragraph needs to go, and what is left needs to be reworked.

So, here are the results:

ch4 p 1 fixed

Much shorter, and yet, it conveys the same message. Heiwa is clearly excited about what is to come and we don’t have a useless recap of the non-important events leading up to the day of his departure. Who cares if he had to fix the roof before he leaves? IT DOESN’T F*CKING MATTER!!!!….Ahem. Sorry about that…

Next up, this lovely passage:

CH4 P 2

Ristsuko’s first dialogue segment features the word “good” three times. THREE TIMES. You know what that is? It’s NOT GOOD, that’s what it is!!!! I’m not against using “good” in terms of dialogue, but three times is excessive.

CH 4 P 2 CHANGES

THREE TIMES. THREE. TIMES. I’m sorry, I can’t get over it…

Other than that, it’s the standard fare; needs to be trimmed and rearranged; slimmed and reworked. The dialogue is clunky (THREE TIMES!!!!!) and needs a bit of clarity, so the words will flow better.

CH 4 P 2 FIXED

Ah… the use of “good” is down to an acceptable level, and the dialogue has been re-worked so it sounds more natural. Heiwa’s description is also fixed, so, although it relies on the “looking in the mirror” cliche, it sounds a bit better.

For a bit of a summary of the bits I’ve skipped to get to the next section, Heiwa shares a tearful goodbye with his mother, catches a ride with Kato to the airship base, and is now awaiting orders, though he has yet to see Daisuke…

CH 4 P 3

We get two new major/supporting faces in this chapter; Colonel Kaiser Berkmann and Sergeant Benedikt Kahler. Also, I apparently didn’t know that the “v” in “von Schneider” should not be capitalized. Hindsight is so fun, y’all; especially when a bit of googling could have saved me a lot of time, way back when.

My first scan results in this:

CH 4 P 3 CHANGES.PNG

I genuinely believe that if I eliminate all references to Matthias being “cold” or “frigid” or “austere,” the word count could be under 100,000. Well… that might be a stretch. Let’s say 150,000. That “austere” reference is getting the axe, and fast.

Lots of yellow, here… and it is definitely necessary. This whole portion is tough to slog through and has no sense of flow, plus the character descriptions need to be tweaked. Also, the way General von Schneider speaks must be addressed, because I know that I was aiming for “intimidating” (or “cold,” if you will) but the way he speaks rings hollow in that regard, and doesn’t seem genuine or particularly “official.”

CH 4 P 3 FIXED.PNG

Much better! (There should be an “a” before “chiseled,” though. Just pretend it’s there…I don’t have the document with me to fix it at the moment…)

Exposition is still there, but it’s smoother and less clogged with unnecessary words/sentences, and the character descriptions are trimmed to the basics. The dialogue for General von Schneider has also been fixed, and he sounds a bit more “General-esque.”

Lastly, we move on to one heckuva doozy…

ch 4 p 4

*bangs head on table*

How will we ever fix this…this… MONSTROSITY?!?

After a long perusal, this is what I’ve got:

CH 4 P 4 CHANGES

A few cuts here, and a few cuts there, and we might be able to save this bit! There’s a lot of description here, but sentences can be fused together to create better transitions, and some can be eliminated to make the whole thing move faster and smoother. Also, I believe Sergeant Kahler’s “nonchalance” can be summed up instead of described in multiple different ways.

ch 4 p 4 fixed

That selection is just about halved and nothing of importance was lost, and the awkward descriptions have been fixed. The conversation flows better and isn’t stilted with superfluous fluff. Honestly, it’s amazing how much I am able to cut from this piece with ten years of practice and some schooling under my belt.

Alright, next time we have the second half of chapter 4! Who will Heiwa’s roommate be onboard the UNMEI? What will their training entail? What is the exact mission that Heiwa is now involved in? What are Majors Tango and Leiter like? Only one of those questions will be answered next time, but the rest will follow eventually! After all, what is a scifi/manga epic without excessive exposition and at least 7 chapters to establish the plot and main cast?

Stay tuned for the next installment!