Don’t Judge…

How often have we been told not to judge a book by its cover? In general, I abide by this – in life, and when it comes to actual books. As a reader, I’m more likely to be drawn in by a powerful synopsis than by a cover.

But, undeniably, a gorgeous cover is super effective when it comes to snaring attention, and I’ll admit that if I pass a stunning cover in a book store, I’ll at least stop to look at it. I’m a sucker for a pretty cover, even if it isn’t the main allure.

And so, for this Friday’s post, I thought I’d share my collection of books with beautiful covers! AKA, books I primarily bought because they have lovely covers.

20190314_121100.jpgEven if their covers were the main draw, many of these books are special to me. I’ve mentioned Walt Whitman’s Leaves of Grass many times before, which is my favorite poetry collection and had a profound impact on me as a young adult. I loved the cover of this edition, so I bought it even though I have a well-word edition of the same collection already. Peter Pan by J.M. Barrie and The Secret Garden by Frances Hodgson Burnett are both big influences from my childhood. Jane Eyre by Charlotte Bronte is an old favorite, as is Pride and Prejudice by Jane Austen. I bought these pretty versions to honor these books, which have all influenced me as a reader and a writer.

The others, though, are for me to experience some new/old stories. I’m familiar with some of Grimm’s Fairy Tales, some of Hans Christian Anderson’s stories, including The Little Mermaid, and the general story of Pinocchio by Carlo Collodi. But my familiarity with them is based on Disney films or more saccharine versions of the original tales, ones that strip all the darkness away. I know that the original versions are different,  more gritty, and though I am familiar with some grim snippets, I want to read them in their true form. But I only bought these books because their covers drew my eye, and thus sparked further interest.

So maybe, sometimes, it is okay to judge a book by its cover. At least a little.

 

 

 

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Oscars Reaction 2019!

I missed the red carpet because of work and I am PISSED. I love seeing all the snazzy suits and dresses. But at least I am not missing the actual show.

We will see how this host-less show goes. I actually liked Kimmel the last two years, but other recent hosts have totally flopped, so maybe this is the way to go. I am hopeful.

QUEEEEEEN

Javier Bardem rocking out to Queen is iconic.

Adam Lambert is so great. He isn’t trying to be a Freddie Mercury clone, he gives Queen his own spin.

Well done, boys.

Rachel Weisz NOOOOOO what are you wearing????

I love a good montage. It brings all the feels.

What a goddamn great trio these 3 are.

C’mon Rachel…or Amy. Or Emma. Or any of them, really.

Chris Evans is a GENTLEMAN.

I wish I had seen If Beale Street Could Talk. It never played in my neck of the woods, but Regina King is great in everything, so this is no surprise. And she is GORGEOUS in that dress!!!

I LOVE JASON MOMOA’S SUIT.

I am betting on Free Solo, only because They Shall Not Grow Old missed the deadline.

I will NEVER watch this doc. Heights are a no-no for me.

“Open the pod bay doors, Hal.” I LOVE IT.

These commercials are killing it so far.

ELSIE!!!!

Basically, you just need to turn a white dude into a fatter, older white dude and you’ll win an Oscar! But seriously, well done.

Does no one practice their speeches? I know they’re nervoua but either elect one person to speak or keep it short, folks.

OH MY GOD THE BUNNIES. THE PUPPET. I AM GASPING.

BEST DUO OF THE NIGHT.

Yayayayayayay!!!! WAKANDA FOREVER!!!

Chadwick looks so sharp!!!

Jlo. Oh my god. And Chris Evans looks so good in blue.

WAKANDA FOREVER!!! AGAIN!!! It was a gorgeous film. Well deserved!

My uncle is apparently working on a set for a Tyler Perry production. But he doesn’t know who Tyler Perry is, lol.

Alfonso!!! Looks like the Roma train is rolling. He is so well spoken.

Emilia’s dress is BEAUTIFUL.

Jennifer Hudson can sing the ingredients of a shampoo bottle and make it sound like an opera.

Why are ruffles in this year? They should never be in. Ever.

Serena!!! She is stunning!

I’m thinking First Man or A Quiet Place here. Sound editing is a tough call… Or Bohemian Rhapsody! Gratz to them.

I maintain it should be First Man, but whatever… I am not doing well with my predictions, lol.

Well done keeping the speeches short. And I am digging the no host. We’re an hour in and have hit a ton of awards!

I just really loved The Favourite and it needs to win SOMETHING.

I am betting on Roma for foreign language… And it is! Alfonso does a great job keeping his speeches succinct and relevant. Especially since he has to go up multiple times.

Keegan Michael Poppins!!!

Oh Bette Midler. What a fantastic choice for the Poppins song. She is magic!

Laura Dern WHO WEARS BROWN TO THE OSCARS???

At least Michael Keaton isn’t chewing gum.

No love for Vice’s incredible editing? Ok. Sure Jan.

Oooooh hello Mr. Bond!

Will Mahershala take it home??? I secretly want Sam Elliott just because he’s Sam Elliott. But Mahershala is easily the best performance in a sea of greats and he’s now 2/2!

Pharrell, that outfit is dreadful. But Michelle Yeoh is stunning as always!

I am betting on Spiderverse, but secretly pulling for Isle of Dogs.

The fact that I have not seen Spiderverse yet is a crime and I AM SORRY I am usually not into the whole “other dimension” idea so I have put off watching, but I WILL SEE IT.

KACEY MUSGRAVES THAT DRESS IS HIDEOUS.

Um. This cowboy song is gorgeous. I missed out on Buster Scruggs too, but it’s in my queue.

Wayne’s World!

Mulaney’s suit jacket is a winner.

BAO!!!!!!!!

I am glad that I live in an era where a documentary short about menstrual rights has won an Oscar.

Oh, visual effects… Infinity War’s only chance!

POOH MUST WIN. POOH MUST WIN. GIVE POOH AN OSCAR FOR THE LOVE OF HONEY.

Oh, well… at least First Man won something! A severely underrated film.

IT’S TIME. They need no introduction.

BRADLEY!!!!!!!! He’s so nervous, bless him.

GAGA!!!!!!! She is just… incredible.

Beautiful. Absolutely beautiful. If there were a best onscreen couple Oscar, they would have wrecked the competition.

At least Detainment didn’t win. Despicable.

C’mon Favourite… Don’t get shut out!!!

A deserved win for a poignant script for Green Book. But… MY FAVOURITE. I am so sad it’s getting no love.

C’mon BlackKklansman….

YESSSSSSSS!!! Fantastic win for a brilliant screenplay! Getting at least 1 Spike Lee speech makes the night worth it.

Happy for Ludwig!!!! Sad Terence Blanchard didn’t win but all of the scores were incredible.

If Shallow doesn’t win I’ll eat my hat.

Well, I don’t have a hat, but I don’t need it! A just victory for Gaga and co!!!

I am still, like… Horrified that The Favourite is empty-handed. This is INJUSTICE.

Oh no the In Memoriam. I cry. 😢

Richard E. Grant fangirling over Barbara Streisand is a MOOD. And we love a Spike Lee and Barbara Streisand moment.

Bale or Malek? Or a sneaky Cooper? Even a surprise Viggo or Defoe?

I mean… I’m stunned that I live in a world where BoRap wins 4 Oscars and The Favourite doesn’t win any, but Rami deserves the honor 1000000%!!! His performance was the beating heart of that movie. You could call this moment from the trailer.

I assume it will be Glenn, but I want a Colman win so The Favourite doesn’t go home empty-handed.

YES YES YES!!!!!! OLIVIA COLMAN!!!! She gives the best speeches and is just a genuine delight. I also love her dress.

Can Olivia Colman and Frances McDormand PLEASE team up for a movie. It is all I ask.

I am guessing Alfonso will take this…. Aaaaaand… Yes! 👍 What a deserved win. He has incredible vision. If he, Guillermo, and Alejandro ever team up and combine their powers they could conquer the cinematic world.

I also vote we never have another Oscars host again. This is GREAT.

Will Roma take it home?

Um….. What?

That’s…. surprising.

I mean….ok.

My crystal ball was cloudy this year, I guess. 🔮

Probably shouldn’t award a film with significant and legitimate controversy the ultimate honor, but… ok. I even liked the movie and don’t think it should have won, but…ok.

…ok.

Edit, 2/25: I still cannot believe I live in a world where Green Book wins Best Picture, BoRap wins the most Oscars of the night, The Favourite only gets 1 win, and Roma only gets 3. Let’s hope the Academy does better next year.

Best Picture Countdown #5: Black Panther

“In times of crisis, the wise build bridges, while the foolish build barriers. We must find a way to look after one another as if we were one single tribe.”Chadwick Boseman as T’Challah in Black Panther (2018)

In a world where audiences are growing weary of superhero movies in spite of their box office dominance, it is difficult for comic book films to break free from formulaic constraints and genre tropes. But Marvel’s Black Panther defied the odds by subverting expectations and earning the first ever Best Picture nomination for a superhero film.

Black_Panther_film_posterBlack Panther, directed by Ryan Coogler, chronicles the rise of T’Challah as the titular hero as he seeks to protect the ones he loves and the country of Wakanda from a foe who threatens to expose their secrets to the world. It is one of the first Marvel movies to think “beyond the cape,” as it features a unique world and culture, a fully three-dimensional villain with motives that mark him more man than monster, and gorgeous effects, costumes, and music that combine to weave a powerful story while maintaining Marvel’s trademark spectacle, heart, and humor. It is also probably one of the Marvel films that audiences can connect with the most, and helped to reinvigorate weary audiences and amp them up for future films.

Though Black Panther did not garner any acting nods, I will not be surprised if it scores wins for both Production Design and Costume Design; particularly the latter. The costumes are all fantastic and gorgeously designed, though The Favourite will be a tough contender to beat.

Ludwig Göransson’s score is also up, but it will be a challenge to take down the likes of returning champion Alexandre Desplat and Terence Blanchard, but it could be anyone’s game, especially since Göransson’s efforts helped set the tone of the film and gave it a distinct, rich sound. Less likely is a Best Original Song victory for “All the Stars,” simply because ASiB is almost guaranteed to win.

At first, I understood the opinion of those who believe this film is unworthy of such distinction, even though I didn’t agree. After all, I don’t think Black Panther is the best superhero film ever, and many deserving films (*cough* The Dark Knight*cough*) have been unjustly ignored by the Academy in the past. But Black Panther‘s nomination isn’t about those snubbed films. The Academy has changed over the years, and the fact that it is finally acknowledging the profound effect of superhero movies on the world of cinema is a monumental step forward for “popular” films. In what seems to be an endless stream of films featuring masked crusaders, multi-hero team-ups, and high-stakes battles to the death, Black Panther is commendable for producing a fresh, engrossing story featuring relevant real-world issues and introducing characters that have already become some of Marvel’s most fully-realized and compelling.

Regardless of its massive and well-deserved success, I don’t think Black Panther will be able to topple the other favorites in the race for Best Picture this year. It is a great film – and a phenomenal superhero film – but T’Challah and co. will be facing the fight of their lives on Oscar night. But I sincerely hope it does not go home empty handed, and am predicting it will go 2/7 on the night. I am also looking forward to seeing the stunning cast on the red carpet, representing this fantastic film!

Oscar Nominations: 7
Best Picture
Best Original Score
Best Original Song
Best Costume Design
Best Production Design
Best Sound Editing
Best Sound Mixing 

Best Picture Countdown #6: Green Book

“You never win with violence. You only win when you maintain your dignity.”Mahershala Ali as Don Shirley in Green Book (2018)

Several of this year’s Best Picture Oscar nominees have endured significant scrutiny and controversy, and the Peter Farrelly helmed Green Book, which depicts the relationship between African American pianist Don Shirley and his driver Tony Vallelonga as they tour the deep south in 1962, is not exempt. But while critics clash over just how accurate the “based on true events” tagline is – resulting in valid criticism being levied at the film- this comedy-drama has been racking up a fair amount of awards this season.

Green_Book_(2018_poster).png

Much like Vice, this film, while it might not depict 100% true-as-they-happened events, contains elements of truth that shine through to deliver a valuable message. Green Book is carried by the powerful chemistry between the leading actors, Viggo Mortensen as crude, but affable Tony Vallelonga and Mahershala Ali as poised yet conflicted Don Shirley. As I’ve said many times before, I could watch Viggo Mortenson spew obscenities and eat fried chicken for two hours and not be bored, and Mahershala Ali is utterly entrancing in every role he’s in. Two actors with boundless talent placed opposite one another in the same movie is basically a recipe for success, but while Ali is clear-cut favorite for the Best Supporting Actor award, my man Viggo, as much as I adore him, will likely have to wait a bit longer for Best Actor Gold. Still, the duo is so effective it makes me wonder if this film would have garnered so much praise without them on the cast. I remember seeing the trailer for the first time, and, as soon as I saw their names attached to it, my reaction was, “SIGN ME UP,” and I’m sure I wasn’t the only one.

The screenplay – which is more or less a letter of admiration from a son to his father – is a strong contender for Best Original Screenplay, though the category is a tough one this year, and Film Editing is up in the air. But really, Green Book‘s strength is in the relationship depicted between Ali and and Mortensen’s characters. Watching their connection to one another evolve from begrudging partnership to genuine, if unlikely friendship in an era of tenuous race relations is the heart of this film, and likely the reason it has resonated with so many people. At times both humorous and heartwarming, there’s plenty of drama to combat the levity, and an earnestness to the film that keeps it from straying into “sappy” territory.

As much as I personally enjoyed this film, the controversy swarming it’s validity and the overwhelming competition will almost certainly keep it from securing the ultimate prize on Oscar night. Regardless, I am predicting that Green Book will go 2/5 on the night, and do recommend that skeptics at least see the film before forming opinions about it.

Oscar Nominations: 5
Best Picture
Best Actor (Mortensen)
Best Supporting Actor (Ali)
Best Original Screenplay
Best Film Editing

Best Picture Countdown #7: Vice

“I can feel your recriminations and your judgment, and I am fine with that. You want to be loved, go be a movie star. The world is as you find it. You got to deal with that reality, and there are monsters in this world.”Christian Bale as Dick Cheney in Vice (2018)

 Of all the films nominated for Best Picture at this year’s Oscars, Vice, directed by Adam McKay, might be the most divisive. Depicting the rise to power of former Vice President Dick Cheney and his involvement in several critical moments in American political history, this film is at parts an illuminating look into the elusive “perhaps this happened” and also a bleak, almost nihilistic approach to exposing corruption of power when it is placed in the hands of a “monster.”

Vice_(2018_film_poster).png I personally went into Vice not expecting to see “true events” depicted verbatim, especially considering the film is classified as a “dramedy,” not a straight-up biopic. Treading the line between fiction and reality is precarious for filmmakers, and that seems to be what much of the criticism of this film is based on. Obviously, since Cheney himself was not involved in the making of the film, the audience needs to take it with a grain of salt and an open mind, regardless of political affiliation. But watching it, I found parts of it eerily compelling in the same vein as a car wreck – because, although we may never know exactly what went on behind closed doors, the very possibility is terrifying. I might dare to suggest many elements came across as plausible, though that might just be a testament to McKay’s writing, which is deservedly nominated. Films do not need to be “accurate” to be “true.” And maybe, some folks don’t like exploring the mere possibility that our elected officials have hidden agendas. But, I don’t want this to turn into a political tirade, so…

Much like Bohemian Rhapsody, this film is buoyed by a transformative performance by leading man Christian Bale, who is at times utterly unrecognizable as Cheney, with no small thanks to the makeup and hairstyling team, which are a front-runner for the Oscar. It looks to be a two-horse race between Malek and Bale for the Best Actor gold, with Bradley Cooper a semi-distant dark horse, but I won’t be disappointed by either result. Amy Adams turns in a sharp performance as Lynne Cheney, but, as much as I’d love to see her take home a victory for Supporting Actress, I think the odds are stacked against her this year. Sam Rockwell as George W. Bush is riveting (and almost cartoonish) to watch, but it is not likely enough to elevate him above the fierce competition in the supporting actor category.

Now, the real strength of Vice shines in the editing. Some critics may not agree, but Hank Corwin masterfully maneuvers this film through rapid switches in tone (there’s a Shakespearean exchange between the Cheneys, a marvelous scene where political officials are ordering “dinner,” and important conversations inter-cut with scenes of Cheney fishing) in order to keep the film from flying off the rails. Precise editing also prevents the film from losing the messages it’s trying to deliver, and when placed in conjunction with McKay’s writing, the combination makes the editing a standout. It’s already gotten a BAFTA for editing, so that momentum might carry over to the big night.

As much as I personally enjoyed Vice, as a critique, an exploration, and an artistic approach to uncovering “truth,” I won’t deny that it is problematic for valid reasons, and, as a result, I doubt it will take home the ultimate prize come Oscar night. However, I am predicting Vice will take home two awards, and end up going 2/8.

Oscar Nominations: 8
Best Picture
Best Director
Best Actor (Bale)
Best Supporting Actor (Rockwell)
Best Supporting Actress (Adams)
Best Original Screenplay
Best Film Editing
Best Makeup and Hairstyling

Best Picture Countdown #8: Bohemian Rhapsody

This is when the operatic section comes in.” – Rami Malek as Freddie Mercury in Bohemian Rhapsody (2018)

Bohemian_Rhapsody_poster

Bringing up the rear in my Best Picture countdown is the Queen/Freddie Mercury biopic, Bohemian Rhapsody, directed by *redacted* and Dexter Fletcher. It’s earned a boatload of money all over the world and is both a visual and auditory spectacle, but when stacked against the other nominees in this category, this film strikes a bit of a sour note.

Of course, the major highlight of this film is Rami Malek’s eclectic and electric performance as Mercury. It’s clear in every nuanced look, flamboyant movement, and subtle – or not so subtle – gesture that Malek poured his heart and soul into this role, and his Oscar nomination is no great surprise. At this point, it seems to be a two-horse race between Malek and Christian Bale, with dark horse Bradley Cooper not far behind. It’s only a shame that the overall film – despite excellent supporting performances and brilliant editing, and, I’m sure, no thanks to production issues – does not quite elevate itself to the same level.

Bohemian Rhapsody is not a bad film – but, it’s not what I’d call great. While Queen’s music and Freddie Mercury’s legacy have endured for decades, this film is, by contrast, almost forgettable. It doesn’t even play like a biopic because it glosses over and adds a saccharine, almost stereotypical sheen to several of the depicted events, which makes it feel fictional and disingenuous. There are times where the film feels raw, and intense – the Live Aid performance in particular, which is also an astounding accomplishment in editing – but at other points, it feels… fake. Fudging dates and swapping facts might come across to some as taking creative license, but, it can also read more as an attempt to revise history, and inject needless drama into what is already a compelling story.

Beneath the flashy costumes, legendary music, and Malek’s incredible performance, this tale of a band’s turbulent rise to stardom fails to dig as deep as it should. Historical inaccuracies and director controversy aside, I will be stunned if it takes home the gold on the 24th. A win for Malek, though, would be well-deserved. All in all, I’m predicting Bohemian Rhapsody won’t go home empty-handed, and will go 1/5 on the night.

Oscar Nominations:
Best Picture
Best Actor (Malek)
Best Sound Editing
Best Sound Mixing
Best Film Editing

The Things We Connect With

When you read a book, what are the things you connect with? Are there certain factors that stand out to you more than others?

I read mostly YA, but I don’t shy away from any particular genre, and do stray into adult literature on occasion. For me, there are a couple of elements that leap off the page, and make it easier for me to connect with the story and characters. In regards to the latter, give me a good sarcastic sidekick any day. One who has more purpose than to crack jokes, but still excels at being a master of wit with a cutting edge. I like a best friend or ally who is not afraid to call the hero out on their problematic behavior, and has a whole, well-developed personality all on their own aside from being a sidekick. I especially love strong friendships in YA of any genre. I don’t want a romance story where a relationship becomes the protagonists’ sole focus/purpose, so friendships with a solid foundation are often a favorable complement to that.

When it comes to protagonists, I connect with their flaws. Give me a hero or heroine who is not always likeable, who makes questionable calls, or who makes mistakes that possibly inspire various degrees of calamity. When they have distinct, relatable, or plot-affecting flaws, I am more likely to connect with them. I don’t want to see a female protagonist whose only flaw is that she’s a bit clumsy, or is “too nice,” or some cop-out like that. Give me drama. Give me reasonable self-doubt.  I like it because it gives them more room for growth, as well. I especially like it when a hero/heroine has to fix a major problem that they cause, whether by accident or on purpose. Don’t get me wrong, I like heroines who kick ass and are amazing with a sword… but because I don’t kick ass, I find it harder to personally connect to them.

Villain-wise, I need an antagonist who is more than just their bad deeds. Someone who actually has a point, but is going about it the wrong way. I mean, some villains are just evil to be evil, and that’s fine – but I prefer it when there’s a reason, and the reason has a solid explanation behind it. Or, sometimes I don’t even want a villain – it all depends on the story. Don’t give me an antagonist for the sake of it.

For example, some of my favorite series are The Princess Diaries series by Meg Cabot, The Lunar Chronicles by Marissa Meyer, and The Charmed Life series by Jenny B. Jones. They contain some of my favorite characters, and ones I have connected with the most. As much as I love a good serious drama/fantasy, it’s stories with humor that I am drawn into the most – hence Meg Cabot being my favorite YA author.

It’s a similar experience with films, though the things I connect with tends to differ. I’m drawn in by the typical things, like basic plot, genre, and acting prowess. But when I’m actually in the theater, it’s different things that snare my attention. Don’t get me wrong, I still like snarky sidekick characters, occasionally-unlikeable protagonists, and conflicted antagonists. However, the things I connect with the most are more on a visual and auditory level.

I am compelled by strong cinematography/set design/production design. If a film is aesthetically pleasing to me, it has a higher change of connecting. Recent visually-inspiring films on my list include First Man, Darkest Hour, The Shape of Water, and The Favourite. It’s also part of the reason why I will see any film directed by Guillermo del Toro, Joseph Kosinski, and Zack Snyder. All-time favorites in the visual department include Tron: Legacy, Man of Steel, Crimson Peak, and Oblivion.

Another thing I connect with the most is the music. I need a soundtrack that is part of the film, not just the background. Composers who excel at this are Alexandre Desplat, Ennio Morricone, the Gregson-Williams brothers, and Ramin Djawadi. Also, who can forget John Williams? He’s the perfect example. You know the themes to Jaws, Star Wars, and Jurassic Park because they are so interwoven with and indicative of the film itself. When the score really suits the film, I am more likely to connect with it.

So, I have to ask – what are the things you connect with, whether it be in books or film?

Get To Know Me

I know, I know – we all detested those ice-breaking “get to know you” games teachers forced us to play at the start of every school year. But, in an effort to connect with fellow #amwriting folks and bloggers, and because I tread the line between crippling insecurity and suppressed egoism, I thought I’d let readers know a bit more about me. So here’s some “get to know me” facts as we hover on the cusp of a new year.

 

1.) I am a proud Hufflepuff. Upon first meeting me, though, you’d probably peg me as a Slytherin.

2.) I work in the glitzy, glamorous world of retail management. I can dress a man for a formal event from head to toe in under fifteen minutes.

3.) I have a mild phobia of jewelry and other small, metallic things, like paper clips. I can touch them, but it stresses me out and I need to wash my hands approximately 16 times afterward.

4.) I collect movie posters and ticket stubs.

5.) My favorite poet is Walt Whitman, closely followed by T.S. Eliot. My favorite authors are too many to list, but J.R.R. Tolkien, C.S. Lewis, and Meg Cabot are permanently at the top.

6.) My first “writing” gig was a weekly comic I produced with two classmates in elementary school called “Barnacle Babies,” which re-imagined the characters of Spongebob Squarepants as babies. Sadly, no evidence of these comics remain.

7.) Similarly, I am a retired fanfiction author. I wrote the longest English-language fanfic for a particular anime fandom, and my stories remain online.

8.) I love all Studio Ghibli films, especially Whisper of the Heart and Howl’s Moving Castle.

9.) I used to write stories about a superhero hamster named “Hammer Hamster” and his sidekick, a gerbil named Fuzz. No evidence of this exists, which is probably for the better.

10.) I have read at least 100 books a year since 2015.

11.) I have a BA in English Literature and Film Studies from Western New England University. I graduated with the highest major-GPA in the English department. And yet, I thought the Underground Railroad was an actual train until 11th grade, so my intelligence level is debatable.

12.) I attempted to implement “Batman Shirt Tuesday” while at college, and failed.

13.) My real name is not Allie Frost, but my initials are the same.

14.) I would rather send 1000 emails than make one phone call.

15.) I once beat Final Fantasy X (on the PS2) with Wakka as my primary party member. He could kill almost anything with one hit. I don’t know how it happened, nor have I ever been able to replicate it.

16.) My favorite Pokemon is Alakazam, followed closely by Gengar.

17.) I used to be more of a Rochester girl, but now, a decade after reading both Jane Eyre and Pride and Prejudice, I would give it to Darcy every time, hands-down.

18.) If I could belong to any Game of Thrones House, I would pick the Mormonts. Second choice is Tyrells.

19.) My travel goal is to venture to New Zealand for obvious, Hobbit-related reasons. If I happen to meet a dashing sheep farmer while there, that would be a bonus.

20.) If I could choose to be any animal, I would want to be a bear. 🐻 However, if I were suddenly transformed into the animal that resembles me the most, it would probably be a frilled dragon. 🐉 Cold-blooded and temperamental! (Kidding… maybe.)

 

Favorite Words vol. 2

Ignite
Definition(s): to set afire.
To subject to fire or intense heat.
To set in motion.

Saying something was set on fire is bland and uninteresting, but to say it was “ignited” has much greater power. This is a word that truly conveys the strength and impression of what a blaze is meant to be.

Fortitude
Definition(s): Strength of mind that enables a person to encounter danger or bear pain or adversity with courage.

You don’t want to say that someone has strength, when you can use fortitude instead. It digs a little deeper.

Grim
Definition(s): Fierce in disposition or action.
Stern or forbidding in action or appearance.
Ghastly, repellent, or sinister in character.

I often project a grim appearance, so I like to use this word as often as possible. It gives a gloomier, more gray, more severe impression and is more descriptive than simpler words.

Elation
Definition(s): The quality or state of being elated.
Pathological euphoria.

Why would you simply be happy, when you can be elated?

Forlorn
Definition(s): Sad and lonely because of isolation or desertion.
Being in poor condition.
Nearly hopeless.

Like grim, I like my more “depressing” adjectives to be all or nothing. Go big or go home. Don’t be sad – be forlorn!

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