2020 Oscar Snubs

I didn’t have time to write out my Best Picture Countdown this year (just know that my top 3 were Little Women, JoJo Rabbit, and Parasite, not necessarily in that order, and The Irishman is last) so here’s my list of Oscar Snubs instead.

The Peanut Butter Falcon / Shia LeBeouf
It’s almost heartbreaking that this movie didn’t receive any buzz at all during the awards season. A film about a young man with Down syndrome’s quest to become a wrestler and the conflicted fisherman who reluctantly helps him, it preaches a familiar lesson about following your dreams and learning to forgive in a fresh, and utterly poignant way. LeBeouf’s performance was award worthy, and to see him excluded is a shame.

The Lighthouse / Willem Dafoe / Robert Pattinson
So, The Lighthouse is f*cking weird. I know that. But, as artsy fartsy as it is, it deserved more than a lone cinematography nod, although it’s my favorite to win. This is the type of film the Academy should be slavering over. Dafoe is unrecognizable in it and R-Pattz delivers another solid performance. Should have at least gotten a nod for both of them. But yeah, the movie’s f*cking weird.

Wild Rose / Jessie Buckley / “Glasgow (No Place Like Home)”
Buckely’s performance in this film – about a young woman who battles her checkered past in order to chase her dreams of country singer stardom, even if it means neglecting her two children – is electrifying, and the film itself is incredible. If nothing else, the song “Glasgow (No Place Like Home,” should have gotten some Oscar buzz. If this film flew past your attention in 2019, I highly suggest you check it out!

Hustlers / Jennifer Lopez
This movie was fantastic, and J-Lo’s performance as Ramona should have gotten a nod.

Ad Astra
Though I do believe Brad Pitt got his nomination for the more deserving performance in OUaTiH, Ad Astra was visually captivating and has a narrative that actually achieves, in a  significantly more succinct manner, what Interstellar tried to do in 2014. Would have liked to see at least a visual effects or cinematography nod.

The Mustang / Matthias Shoenaerts 
A definite dark horse (ha) and underdog in the race, especially since it came out so early in the year, it seems this film – about a convict and the horse he trains as part of a prison rehabilitation program – has flown completely under the radar, which is a massive shame. Shoenaerts’ performance is brilliant, carried by simmering emotion and silent intensity, and it pains me to see that he and the film are not being mentioned in the award buzz at all.

Midsommar / Pawel Pogorzelski
Cinematography. Cinematography. Cinematography. This movie wouldn’t be as terrifying as it is without the combo of Ari Aster’s direction and Pawel Pogorzelski’s cinematography.

Rocketman / Taron Edgerton / Dexter Fletcher
Not only was Edgerton snubbed for a Best Actor nod – which, although I don’t think he would have won, I do think he should have at least been nominated – Rocketman only received a nomination for Best Original Song. I may be in the minority, but I actually think Fletcher did a fantastic job directing this one and would have liked to see a nom for him also.

Booksmart
This movie is phenomenal, and to see it ignored is A CRIME. Olivia Wilde’s directorial debut is a unique coming-of-age tale about two girls who fear they’ve missed out on typical “teenage” experiences, and seek one last wild night on the eve of their high school graduation. It’s equal parts hilarious and poignant, and I think it definitely deserved a Best Picture nod.

Adam Sandler
Sandler’s performance in Uncut Gems is, quite possibly, a career best, and he didn’t get a nod.

Greta Gerwig
I don’t think I need to explain myself for this one.

Christian Bale
I am, admittedly, a Christian Bale fangirl, but I do think his performance as Ken Miles in Ford V Ferrari deserved a nomination.

Sneaky Sunday Post: OSCAR SNUBS!

I’ve been spending the past week or so discussing my personal views on the Best Picture nominees for tonight’s Oscars, so for today, I thought I’d do a little post about the movies/actors/directors who I personally feel got snubbed for this year’s awards. LET’S GO!

1.) Hostiles / Christian Bale / Max Richter
Okay, I’m biased, and I’ll own up to it. I love Christian Bale. But man, his performance in this film was phenomenal – his transformation over the course of the film from vengeful and hate-filled to less hate-filled and somewhat softer is done with exceptional face-acting. As in, you watch his face, you get an entire story and see the full scope of his emotions without any spoken dialogue at all. I love Denzel Washington too, but I would have nominated Bale over him this year. The score by Max Richter is also great, as is the cinematography. Hostiles is an above average film with above average performances (not only from Bale, but Rosamund Pike too) and I’m stunned that this film didn’t get so much as a single nomination in any category. It’s better than a lot of other recent westerns, but maybe it just slipped through the cracks this year…

2.) Wind River / Jeremy Renner (kinda) / Ben Richardson / Taylor Sheridan
The fact that this film was not nominated for ANYTHING is probably the biggest Oscar snub since Daft Punk didn’t even get nominated for the Tron: Legacy soundtrack. It’s a CRIME, I TELL YOU. It’s easily Jeremy Renner’s best performance to date (would have given the 5th nom to Bale over him, but Renner over Washington… regardless, none would beat Oldman, DDL, Kaluuya or Chalamet) and the cinematography is stellar. The opening sequence of the girl running in the snow is hauntingly beautiful, yet also conveys the terror of her situation. Sheridan would have been a dark horse in the directorial race, but I would have liked to see him get a nod. I suppose this film being snubbed is unfortunatelyappropriate, given the source material and the stats given at the end of the film… but for real, my friends. If you haven’t seen Wind River, or it fell off your radar because it isn’t getting the same buzz as the award-nominated films, TRUST ME – give it a chance. I was unexpectedly blown away by how powerful this film and its message are.

3.) Wonder Woman / Patty Jenkins
It was a long-shot, but Patty Jenkins delivered the best DCEU movie to date (the TDK films don’t count, as they are in a different universe) and has gotten a lot of much-deserved praise for it, but I would have loved to see her get a directing nod. Wonder Woman would not have been as great a success as it was without her vision, and would have loved a Best Picture nod too, as unlikely as it was to happen.

4.) Murder on the Orient Express / Kenneth Branagh’s mustache
I mean… this film deserved at least a costuming nod, right? Or production design. Say what you want about the film itself, it was gorgeous to watch. And that mustache turned in one of the finest follicle performances of the last decade, at least!

5.) Logan / Hugh Jackman
Yeah, sure… Logan got the adapted screenplay nod. That’s all well and good, and a positive step forward for comic book films in the awards race, which have stalled considerably since the era of Nolan’s groundbreaking Dark Knight Trilogy. But damn, this movie might not only be be Jackman’s best turn as Logan/Wolverine, I’d say it’s his best performance ever. He was phenomenal. I would have given the 5th Best Actor nom to him over Bale, which means a lot coming from me…

6.) The Big Sick
I was elated to see this film garner a Best Original Screenplay nod, but surprised that it didn’t get any other nominations. I honestly think it deserved a Best Picture nomination – we could have had 10 nominees! That would have been a nice even number!

And there we have it! Any snubs you feel like I missed? Feel free to share! And stay tuned tomorrow afternoon (it might not be at 1PM due to my work schedule, but we’ll see) for my Oscar Recap / Reaction!