Writing Rewind #2: Wings of Fate – Chapter 1 Part 1

Because the chapters of this monstrosity are so long (the first was 10,000+ words and it’s one of the “shorter” ones if you can believe it) I’m splitting them each into at least 2 parts. Some may even be 3, depending on the content. Since I’m only including snippets instead of the full draft, which means large cuts in plot and context, I will attempt to assemble some semblance of a story from the passages I select. Don’t want y’all to miss out on the extremely well thought out and plausible plot I devised ten years ago!

Last time we dissected the problematic prologue, which introduced a mysterious “mission.” This time, we meet our hero, and my very first original protagonist (of some kind of substance) – Heiwa! So let’s get started with Wings of Fate, Chapter 1: The Letter.

KEY/GUIDE:
Strikethrough = cut out
Highlight = rephrase/reword/awk
Blue highlight = minor additions
DANGER RED HIGHLIGHT= massive cringe

ch1p1

*sigh* Here we go again… bogged down with excess description and detail.

If it wasn’t cringe-worthy enough in itself, I envisioned this piece as an “anime/manga,” hence the random Japanese phrases strewn about. But that’s the least of the issues, here, so I’m not going to bother pointing them all out. Rest assured, I am mortified by them.

Every sentence just keeps going, and going, and going, when it has already conveyed the message and does not need any further explanation.

Also, way, way too many adverbs. I’m actually not as anti-adverb as some folks tend to be (within reason), but I do think they should be used sparingly. A decade ago, I was a huge advocate of adverbs; but I didn’t really know better. Still… I look forward to hacking through them. Might get my word count under 200,000 with that alone!

So, an initial scan yields this:

ch1p1marks

Time to get rid of that awkward phrasing and those pesky adverbs! Not to mention the overly-descriptive passage about Grandma. Her character becomes clear later through dialogue and her interactions with others, and doesn’t need to be so overt from the get-go. We don’t need a full description in her first appearance. Or ever, really.

ch1p1fixed

Despite losing some description, Ritsuko’s character and personality still seems to come through, as does her relationship with Heiwa. And it could be done in far less words! Imagine that!

*cracks knuckles* The next bit is going to be… well… a challenge. But it does show just how bloated this entire story is, as there are passages like this throughout the piece.

ch1p2

SWEET JESUS. Where to START? I almost wish I could highlight all of it in red.

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While some degree of description is necessary for setting and for characterization, as blindly leading a reader into a story probably isn’t wise, I think I laid it on a little too thick. And by “a little,” I mean way too thick. There does need to be set-up of some kind, especially since the story is futuristic, but an exposition dump is almost always a bad way to approach it.

These revelations should be more gradual, especially when it comes to the protag; we’re going to be spending 22 chapters with this guy, so not everything needs to be spelled out right at the beginning. Especially not in such a callous way, either – the listing of his flaws comes off as trying too hard to show what a “screw up” Heiwa is, or to downplay him on purpose; like making a girl protagonist “clumsy” just to give her a flaw. In retrospect, the message doesn’t need to be quite so heavy-handed, as his personality unfolds throughout the introductory chapters and doesn’t need to be foisted upon the reader right at the start.

ch1p2fixed

The word count for the selection was more or less halved, and nothing was really lost. Everything that needed to be said is still there in a more concise manner. Heck, it could probably be trimmed even more! HECK, I PROBABLY COULD HAVE LEFT IT ALL OUT. But, I digress… onto the next snippet!

ch1p3

I thought the last section was bad, but now, I… am beginning to regret doing this. I’m not sure I can take it. I might just shrivel up and die of embarrassment.

ch1p3marked

FIRST OF ALL, THAT CRINGE-TASTIC RED HIGHLIGHTED SENTENCE HAS GOT TO GO. That is so, so, so bad. “Green orbs.” I am horrified. LAY OFF THE EYE DESCRIPTIONS, ALLIE, FOR THE LOVE OF GOD. Sadly, as I have seen the rest of this work (being the one who wrote it, and all) I know it will only get worse from here on out. Much worse.

Also, lots of awkward wording and phrasing that needs to be refined.

ch1p3fixed

Whew, the cringe is gone! Well… most of it, anyway.

The last portion for the first part of the chapter (because I don’t think I have the energy to any more of it today… I need a break to ponder my life choices) features another character; Heiwa’s mother, Izumi.

ch1p4

*gets out the scissors* TIME TO START CUTTING!!!!!!

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Izumi doesn’t need to spell out her entire life story and the progression of her illness all in one chunk of dialogue. Especially since it has already been discussed previously, and it is partially explored in the paragraph that follows it. It’s just too much, and can be narrowed into something that is more efficient.

ch1p4fixed.PNG

AH, much better! So much is gone, but not much is lost. Izumi’s personality and her situation peek through without bombarding the reader with info. Subtlety is a virtue… one I did not understand a decade ago.

That’s it for today – I’ve done enough damage! Next time, we’ll tackle the second half of Chapter 1… which is, unfortunately, similar to the first. We’ll discover what “the letter” means and how it will affect our hero, Heiwa. Hopefully, I can whip the latter half of the chapter into shape without splintering my sanity.

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