“I can feel your recriminations and your judgment, and I am fine with that. You want to be loved, go be a movie star. The world is as you find it. You got to deal with that reality, and there are monsters in this world.” – Christian Bale as Dick Cheney in Vice (2018)
Of all the films nominated for Best Picture at this year’s Oscars, Vice, directed by Adam McKay, might be the most divisive. Depicting the rise to power of former Vice President Dick Cheney and his involvement in several critical moments in American political history, this film is at parts an illuminating look into the elusive “perhaps this happened” and also a bleak, almost nihilistic approach to exposing corruption of power when it is placed in the hands of a “monster.”
I personally went into Vice not expecting to see “true events” depicted verbatim, especially considering the film is classified as a “dramedy,” not a straight-up biopic. Treading the line between fiction and reality is precarious for filmmakers, and that seems to be what much of the criticism of this film is based on. Obviously, since Cheney himself was not involved in the making of the film, the audience needs to take it with a grain of salt and an open mind, regardless of political affiliation. But watching it, I found parts of it eerily compelling in the same vein as a car wreck – because, although we may never know exactly what went on behind closed doors, the very possibility is terrifying. I might dare to suggest many elements came across as plausible, though that might just be a testament to McKay’s writing, which is deservedly nominated. Films do not need to be “accurate” to be “true.” And maybe, some folks don’t like exploring the mere possibility that our elected officials have hidden agendas. But, I don’t want this to turn into a political tirade, so…
Much like Bohemian Rhapsody, this film is buoyed by a transformative performance by leading man Christian Bale, who is at times utterly unrecognizable as Cheney, with no small thanks to the makeup and hairstyling team, which are a front-runner for the Oscar. It looks to be a two-horse race between Malek and Bale for the Best Actor gold, with Bradley Cooper a semi-distant dark horse, but I won’t be disappointed by either result. Amy Adams turns in a sharp performance as Lynne Cheney, but, as much as I’d love to see her take home a victory for Supporting Actress, I think the odds are stacked against her this year. Sam Rockwell as George W. Bush is riveting (and almost cartoonish) to watch, but it is not likely enough to elevate him above the fierce competition in the supporting actor category.
Now, the real strength of Vice shines in the editing. Some critics may not agree, but Hank Corwin masterfully maneuvers this film through rapid switches in tone (there’s a Shakespearean exchange between the Cheneys, a marvelous scene where political officials are ordering “dinner,” and important conversations inter-cut with scenes of Cheney fishing) in order to keep the film from flying off the rails. Precise editing also prevents the film from losing the messages it’s trying to deliver, and when placed in conjunction with McKay’s writing, the combination makes the editing a standout. It’s already gotten a BAFTA for editing, so that momentum might carry over to the big night.
As much as I personally enjoyed Vice, as a critique, an exploration, and an artistic approach to uncovering “truth,” I won’t deny that it is problematic for valid reasons, and, as a result, I doubt it will take home the ultimate prize come Oscar night. However, I am predicting Vice will take home two awards, and end up going 2/8.
Oscar Nominations: 8
Best Picture
Best Director
Best Actor (Bale)
Best Supporting Actor (Rockwell)
Best Supporting Actress (Adams)
Best Original Screenplay
Best Film Editing
Best Makeup and Hairstyling
Frostwritten 