Contains spoilers for major moments of HBO’s Game of Thrones s1-6 and the Live Concert Experience.
Last August, the Game of Thrones Live Concert Experience was announced, and, as a diehard fan of both the books and the show, I eagerly scanned the list of dates/venues to see if it was coming to my area. Unfortunately, the closest was Philadelphia on 2/26/17, which is about 2 hours away. I’m unfamiliar with Philly and the date was questionable for my schedule, so I didn’t think I would be able to attend… until I saw the location of the 3/6/17 show, and a lightbulb sparked above my head.
Since I’ve got family/friends in NE and I’m much more familiar with the area, I snagged tickets for the Boston show. Also, because my parents decided to start watching Game of Thrones with me and have spent the past ten or so months getting all caught up, we made a mini family-vacation out of it and split the expense.
I bought the tickets way back when it was first announced, so by the time March finally rolled around, my excitement levels were at a potential Cleganebowl level. We got to the TD Garden about an hour ahead of time, and the atmosphere inside the stadium was definitely meant to ramp up the hype-meter. Outside, they had some of the costumes from the show on display, which was a treat to see. There were smoke machines; not terribly intrusive, which set the scene with a light mist. I had gotten tickets for the “middle-ish” area of the stadium, so we had a great view of the screens and the stage… I’d initially gotten seats for one of the ends, but after some research, I called and swapped my seats, and the new ones were significantly better. For a Monday night, the turnout was decent; it wasn’t sold out, but the middle areas were packed, even up in the nosebleeds, and it seemed to me as though the empty seats were all on the ends, where the view of the concert was restricted. But as for the set up, there was a main stage connected to a smaller stage, which the soloists frequently moved to, as well as two smaller satellite stages, so, even if you couldn’t see the main screens from your seat, there was something to look at the entire time. There was an onscreen clock counting down the final minutes before the concert began, and from the moment the lights went down and the orchestra began the “Main Theme” as the Iron Throne materialized through a plume of smoke, I was as excited as Sansa was when she found out she was going to marry Joffrey…. you know, before he had her dad’s head cut off.
After a pleasant introduction by Ramin Djawadi, the creator of the music and themes all GoT fans have grown to love, the next track was an amalgamation of sorts of the character/house themes, as the sigils/banners unfurled from the rafters and the characters appeared in clips on the screen. I may not be a Lannister fan, but I got chills when their theme began; it might be my favorite motif from the series, and listening to it live was equal parts chilling and thrilling. Hearing the audience cheer for their favorite characters/houses and boo for their least favorites (Joff and Ramsay, in particular) was a surreal experience.
A major highlight of the concert was the soloists that composer Ramin Djawadi brought on tour with him; Christine Wu on violin, Cameron Stone on cello, singer Stevvi Alexander, and Pedro Eustache on winds, as well as a couple of others whose names I couldn’t manage to track down on the internet. Christine Wu played a wonderful solo as a “Weirwood Tree” descended and bloomed around her onstage, complete with red leaves raining from the sky, Cameron Stone rocked out on the cello during the Greyjoy number (on a water-soaked platform, no less) and Pedro Eustache played a 14-foot “wildling horn” in the midst of a snow squall during the White Walkers bit. Shockingly, no one went running for the doors when “The Rains of Castamere” (sung by soloist Stevvi Alexander) started, nor when they launched into the Red Wedding (“The Lannisters Send Their Regards”) afterwards. One truly understands what it means to be a fan whilst watching such misery play out onscreen with hundreds of other fans, though they did edit the sequences from the show to show less stabbing (of the back/neck/chest variety) than the full episode. The performance of the soloists/choir also gave those with a poorer vantage point something to watch, including a semi-reenactment of Cersei’s walk of atonement (no actual nudity, obv) and “warring” cello and violin during the sequences from “Battle of the Bastards.” The choir even donned Harpy masks for the relevant number. As someone who could see the screens perfectly well, it was nice to switch my view between stage and screen, and thus experience the entire concert without fearing that I missed anything big.
All in all, it’s hard to peg my favorite moment from the night – I enjoyed every note and each performance. The setlist featured a lot of the big musical and thematic moments of the series, such as the dramatic dragon-hatching ending of season 1, Jon and Ygritte’s doomed romance, and Sam seeing the library in Oldtown for the first time. One of my favorite episodes is season 2’s penultimate “Blackwater,” so hearing the music live whilst watching the sequences play out onscreen was a treat for my inner fangirl. I also loved soloist Stevvi Alexander’s haunting and beautiful rendition of “The Rains of Castamere,” and her vocals, combined with the talents of a local choir, brought new life and fire to “Mhysa” and various other tracks, such as “The High Sparrow,” “Sons of the Harpy,” and “The Winds of Winter.” Ramin Djawadi also played the dulcimer during the Arya-centric “Needle,” and it gave the song a new, vibrant sound. The “Battle of the Bastards” segment was stellar, and the performance of the orchestra complemented the action-packed scenes of one of the greatest episodes of the series. Hearing the music in person, often with instruments added and the occasional new vocal or twist, also gave me a new appreciation for songs that previously had never stood out to me, such as the Greyjoy themes and Melisandre’s/Stannis’s.
The concert also included special effects aside from the images and scenes on the screens, which enhanced the overall experience and made for a visual feast for most of the concert. My favorite track from the season 6 soundtrack is actually “Reign,” so when the clip of Dany and the Masters played, with our favorite Dragon Queen saying “My reign has just begun,” I was thrilled; but add actual fire into the mix? We were several feet away and could feel the heat when the flames shot into the air. Gosh, it was like Drogon was actually present! Well, not really, but it was an awesome addition to the concert nonetheless. The second major instance was “The Light of the Seven,” the piano-centric track that leads up to Cersei’s act of ultimate vengeance in the final episode of season 6. Djawadi took the piano for this one, on the smaller stage, and as the song reached its peak, he was engulfed by green light and smoke. Thankfully it was all for show, and Djawadi did not suffer the same fate as poor Margaery, Loras, Kevan, and the others in the sept.
As all ride-or-die GoT fans know, the show would not be what it is without the gut-wrenching (and occasionally vindicating) stream of character deaths. After the orchestra finished the last number, the hype-tastic song used to close out season 6 known as “The Winds of Winter,” Ramin and his band members played “The Bear and the Maiden Fair” while a montage of deceased characters played on the screens. A brilliant way to both close the show and offer a bit of a recap of our heartbreak, misery, and, in some cases, victorious moments over the last six seasons.
One complaint? Not NEARLY enough of the suave and mysterious Jaqen H’ghar/Faceless Man. (I jest, I jest – but he is my fave.)
The Game of Thrones Live Concert Experience was exactly that; an experience, and one I definitely recommend to anyone who is a fan of the show and the music. It’s approximately 2.5 hours of music and action – what’s not to like? I cannot imagine the amount of preparation and precision that went into making this concert, and I left the stadium with an ear-to-ear smile – a testament to what Djawadi has done with this score, and what GoT means to fans of the series. Ramin Djawadi and all those who have brought this concert to life have done an excellent job creating this experience and bringing the music to fans in a new, dynamic way, and I am so thankful I got to see it.