While scanning my shelves for the next series to revisit, I tried to remember the first time I read Full Moon o Sagashite by Arina Tanemura, but drew a total blank. After some more thought, I realized that, although I’m pretty sure I’ve read at least the first couple of volumes, I never finished it. And I’ve never seen the anime. So, although I have a vague idea of what the premise is (I know singing and shinigami are involved)… I have no idea how it ends. So let’s fix that, starting with volumes 1-3!
Full Moon o Sagashite follows Mitsuki, a 12-year-old girl who suffers from a fatal sarcoma in her throat, but her dreams of a singing career and reuniting with her lost love Eichi prevent her from undergoing the operation that will save her life. When two shinigami appear to intercept her fate, Mitsuki is granted the ability to transform into a healthy, 16-year-old version of herself so she can spend the last year of her life accomplishing her goals. The manga ran from 2002 – 2004 and was completed at 7 volumes.
Now, I’m pretty sure, when I read this several years ago, I only got through volumes 1-3. I bought the first 3 volumes back when Borders was still around (they closed in 2011) and collected the rest from online retailers over the years, but never finished the series. But I do remember really loving the premise and the story, so although I’m not sure why I never finished it, I’m determined to amend that!
After volume one, I wasn’t too invested in the characters or the narrative. Mitsuki is a really, really sweet protagonist; but almost unrealistically so. Maybe I’m just jaded (very likely) but she’s so nice and selfless it comes across as almost… grating. Even her rare moments of anger are tied to how kind and caring she is, as she’s usually angry on someone else’s behalf. She reminds me a bit of a sugar-coated version of Tohru from Fruits Basket (which I will be rereading for this series) but her endless cheer and optimism makes it difficult to connect with her, though she did grow on me a little during the next two volumes as her vulnerabilities (besides her illness) are made clear.
One half of the shinigami team, the bunny-eared Meroko, also irritated me quite a lot, though the small peek into her history during a side story in volume 3 was a nice glimpse into why she acts the way she does, and makes me curious about her past life. However, the other half, Takuto, intrigued me from the start. As his story unfolds, showing how close he was to Mitsuki’s life when he was alive, his history with singing, and the circumstances of his death, I found myself more drawn into his story than anyone else’s. But Izumi, another shinigami with a somewhat darker personality and outlook, is my favorite, so that probably explains the sort of character personalities I’m drawn to in stories like this. The shinigami are responsible for most of the humor (one panel with Jonathan, Izumi’s partner, had me actually laughing out loud) but also provide a unique commentary on life/death and repercussions of drastic decisions, which I look forward to seeing more of in later volumes.
Although the plot has a bit of a stuttering start (lots of shinigami rules and intricate plot details get thrown around during the set-up phase, plus a lot of saccharine fluff from Mitsuki) the plot really starts to pick up in volumes 2 and 3, as the complexities of the shinigami roles and the truth behind Mitsuki’s past unravel. The plot starts off fairly light-hearted as Mitsuki embarks on her signing career as “Fullmoon” with help and hilarious commentary from Meroko and Takuto, but it does get pretty deep starting in the second volume, providing an engaging balance between comedy and drama. A couple of plot twists seem a little forced and out-of-nowhere (Dr. Wakaoji’s identity, for instance) but other revelations (Oshige and her boss, Takuto’s past, and the big reveal at the end of volume 3) unfold in a more organic, natural fashion, which makes me eager to read volume 4 and see what happens next. It’s not all sugar and rainbows, and now, 3 volumes in, I both dread and eagerly anticipate how certain info-bombs will impact the story going forward.
I will say that Mitsuki being twelve does bother me a lot more now that I’m older. Even though she can transform into a 16-year-old when she’s her alter ego, “Fullmoon,” she’s still like… a literal child. So some plot points and interactions with characters comes across as creepy to me, instead of sweet. For instance, when Eichi told her he loved her, he was 14 and she was 10. Why is a 14-year-old boy confessing love to a ten year old? I do not find that cute, sorry. I get that the circumstances are different (they grew up together in an orphanage, she helped him through personal struggles and vice versa, they supported one another when they had no one else) but the gap just makes me find Mitsuki more naive than anything else. But, like I said before, maybe I’ve just grown jaded in my old age.
The art is fantastic, especially if you’re a fan of intricate, ultra-cute-style character designs. Mizuki is a memorable character, and her hairstyles are exceptional. The costumes for the shinigami are adorable, but also make them stand out and implies hints into their personalities – Takuto is really finicky and hot-and-cold, like a cat, for example. It’s an art style that might not appeal to everyone, since it lends itself more to the cute/big-eye trend, but it’s pretty standard for a magical-girl series and I found it very appealing, since it’s easy to differentiate between the characters due to how distinct they are.
All in all, Full Moon o Sagashite provides an interesting blend of humor, romance, and compelling questions about death, life, and second chances. Even if it’s difficult to connect with the too-sweet heroine, the mysteries of the side characters make me want to keep reading, and the plot really starts to gain traction as the drama and emotional points overtake the comedy and fluff aspects. Next Monday, we’ll finish off this series with volumes 4-7! Stay tuned!