Manga Monday #7: Tokyo Mew Mew by Mia Ikumi and Reiko Yoshida (vol. 4-7)

*Warning! This post will contain spoilers!*

Looking at the covers of the latter volumes triggered some memories for me, from back when this series was first released in English. Since Tokyo Mew Mew was the first manga I collected to completion and I started my collection as the series was being released, I would eagerly scan the manga shelves of my local Borders (good ol’ Borders! I MISS IT SO!) every few weeks, waiting for the new volume to come out. That’s definitely one of my first and fondest memories from my weeaboo years!

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Following the set-up of volumes 1-3, volumes 4-7 wrap up our story with more much more action, drama, romance, some cake and pastries, and a refreshing dose of comedy that almost vanishes completely in favor of a more serious tone for the last 2 volumes as the plot reaches the climax. All in all, there are many twists and turns as this story draws to a close – secret identities are revealed, double secret identities are revealed, romances are secured, mew aquas are found, and jokes are made, often at Ichigo’s expense.

I do feel that the story needed a bit more time to breathe as it barreled toward a conclusion. The big Masaya/”Deep Blue” reveal takes place within the span of a single volume, so it feels a bit rushed, as it gets resolved in short order and the final fight – while the art is fantastic and the battle is well-depicted – feels short. I actually think this series could have benefited from a couple more volumes, which is not a sentiment I feel very often, especially with shojo manga. There’s not even that much filler in Tokyo Mew Mew, which is nice… just about every chapter has a purpose that is tied into the overall narrative and the major arcs of the characters/story, it still feels as though the resolution comes a little too quick. But ultimately, the conclusion is satisfying and just about all of the loose ends get wrapped up in a way that should please most readers.

Also, my hatred of Kish continues (and builds!) in the latter volumes, but I’ll chalk it up to underwhelming character development. He switches sides and suddenly becomes a “good guy” because he “loves” Ichigo, but it’s tough for me to take his motivations at face value because he barely knows her, the only times he ever interacted with her he was attacking her and her friends, and he is just so whiny I wanted to punt him across numerous panels and off the page. Also Tart is OBNOXIOUS. Pie was the only villain that I could stand, only because he has very limited panel time. However, our friendly heroines are all pleasant to follow, and though Ichigo makes some boneheaded decisions sometimes (she’s twelve, she gets some slack) it’s easy to root for the Mew Mews as they fight to protect and preserve the world. Keiichiro is an understated hero, and Ryou is not my fave, but getting a peek into his tragic backstory makes him easier to understand and empathize with. Could have done without the Alto bit, though. And Masaya’s arc was intriguing, though a deeper glimpse into his history might have been beneficial, considering he’s been the ultimate villain all along.

However, any manga that ends with a mock wedding between two 12-year-olds is a bit much for me on the saccharine-scale. It makes me feel like a huge killjoy to say it, but, while I find the Ichigo/Masaya romance cute and all, it’s sooooooo dramatic and there are so many love declarations and angsting that it starts to feel forced and disingenuous. Plus, they are children. I get that it’s manga and isn’t to be taken so seriously, I just have a tough time taking it seriously. Then again, I’ve aged out of the target demo for this series, and I’m sure I thought differently when I was younger. I will admit, though, that Masaya has the patience of a SAINT. Someday, I hope I can land a man who is totally fine with consistent lateness and flakiness and me randomly disappearing while out on dates.

If you’re looking for a cute magical-girl series that is significantly shorter than Sailor Moon or Fushigi Yugi, then Tokyo Mew Mew is a great outlet to satisfy your need for cute mottos, cute motifs, and cute characters… did I mention it’s cute? Overall, there’s enough sugar in this series to please even the fiercest sweet-tooths.

~~~~~

If you’re in need of a new read, check out my YA novel, I’m With You! The ebook is only $1.99 or (£1.55) and paperback is $9.99 (£7.99) on Amazon Amazon UK.  Paperback is also $9.99 on BN.com.

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Writing Rewind #12: Wings of Fate Chapter 8 Part 1

I’ll straight up admit that I’ve been putting this next installment off on purpose, because it includes the storyline I’ve been dreading. The romance subplot. My reasons for hating it will become more prevalent next time, but this is the set up to it…

Now that I’m older, I’ve actually done a total 180 on my stance regarding the main “romance” of this story, so revisiting will be difficult because I basically want to erase the entire thing and pretend it never happened. But I’m going to do my best to dissect all the issues without imploding from the massive cringe-fest that is about to unfold.

Last time on Writing Rewind, we found out what the mysterious mission is all about! It involves a floating land in the sky that was definitely not influenced by Castle in the Sky from Hayao Miyazaki and Studio Ghibli, no way no how. What adventures are in store for us this time as we vault into Wings of Fate Chapter 8: The Hated Day?

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Oh boy. It’s a Matthias-centric chapter. Brace yourselves for the avalanche of “cold” and “icy” character descriptions!

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That entire first paragraph is an abomination and deserves to DIE. I cannot fathom why I felt I needed to describe Matthias in vivid detail EVERY SINGLE TIME HE’S MENTIONED. He’s basically the Tin Man meets Mr. Freeze meets Frosty the Snowman, WE GET IT, GOOD GOD.

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There. Short, sweet, mostly to the point. And not a “cold” descriptor to be seen…

Next, after Robin spills the beans about the mission and gets Heiwa and Daisuke in trouble with their commanding officers, they are out on the deck with Shirotaka when a little accident happens, and our favorite mute magical girl falls overboard…

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She can fly, she can fly, she can flyyyyyyy!!!!!! And this portion’s not too bad, but it’s got too much fluff.

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I’ve noticed that Past Allie certainly leans toward repetition, or saying things in a roundabout way that could be explained in a much shorter fashion. I’m verbose, basically. And it ain’t cute. And I think it is definitely the worst it’s been in this chapter.

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Wow, look at that! The same revelation with much fewer words! It flows a lot better this way, without all the excess.

Next, Heiwa takes Shirotaka up to Dr. Black to tell him about her ability…

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Why, oh why, does Dr. Black feel the need to pontificate so often? Might as well stamp “I’M A SECRET VILLAIN!” on his forehead.

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I think Dr. Black needs to keep it subtle. Not be so… forthcoming. Like, Heiwa asked one question and he goes off on a rant, and it’s not necessary at all. Also, I think he’d be more upset by the lack of positive reception to the mission reveal than he lets on in this version, so him keeping his response short will work better. Gotta keep some element of suspense.

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There we go! Look how much better it is when all the babbling is chopped out!

Next, Matthias’s frigid ways continue…

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Uh, oh! Something’s up with Mattie! What could it be?

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The set up of Matthias’s hissy-fit and Tango’s musing can definitely be handled in a more… fluid way. Keep the mystery without beating the reader over the head with it. Matthias’s behavior is weird, but it can be shown and not told.

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Much better! Enough to show that Mattie is behaving like an asshat and Tango is perplexed by it without being too wordy. The theme of the week seems to be trimming the fluff, and I gotta say, seeing all the superfluous bits getting shaved away is making my hatred of this plot-line wane, just a bit.

After Matthias blows up in spectacularly unprofessional fashion at Pilot, the commanding officers begin to speculate about his pissy mood…

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So, Tango knows – or thinks she knows – why Mattie is behaving like this. That can be said in far fewer words, and the remaining words can be shuffled around and tweaked to make the passage flow better.

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Clearly, the romance being set up is between Tango and Matthias, so this portion is meant to set up the fact that Tango knows him better than the others and views him in a more positive light. And by cutting some parts out and reworking some others, that message will come across a bit clearer.

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Okay, so this part of Chapter 8 wasn’t quite as bad as I expected, but next time, the real cringe sets in. Will we find out why Matthias is acting like such a jerk to everyone? Will Tango be able to improve his mood, or will her intervention make things worse? Stay tuned, for the exploration of the most regrettable romantic subplot of my early writing career!

For some less regrettable writing, check out my YA novel, I’m With You! The ebook is only $1.99 or (£1.55) and paperback is $9.99 (£7.99) on Amazon Amazon UK.  Paperback is also $9.99 on BN.com.

Manga Monday #6: Tokyo Mew Mew by Reiko Yoshida and Mia Ikumi (vol. 1-3)

I’ve been looking forward to this one, because Tokyo Mew Mew was the very first manga series I collected and read to completion. I was pretty young when I read it (probably early teens), but I have fond memories of the characters and stories, and I look forward to riding the wave of nostalgia.

~Reading Break~

20171009_085423290452330.jpgTokyo Mew Mew (written by Reiko Yoshida, additional writing and art by Mia Ikumi) follows Ichigo Momomiya, a twelve-year-old girl who, after being infused with the genes of an endangered breed of wild cat, must save the earth from the threat of aliens who seek to conquer it. With four other girls, Ichigo must navigate the difficulties of saving the world with the perils of maintaining her personal life and keeping her superhero identity hidden from those she cares about – especially her crush, Masaya. This series ran from 2000-2003 and was complete at 7 volumes.

I think my early adoration for Sailor Moon sparked an appreciation for Magical Girl stories in general, and that’s probably what drew me to this title in the first place… and so many years later, though I’ve aged out of the targeted demographic, I still enjoy it!

For the first three volumes, the story walks familiar ground – girls magically become superheroes and find themselves thrust into dangerous situations where they must fight to save the city from extraterrestrial forces – but contains the right balance of humor, action, and drama to weave a compelling narrative. It’s more lighthearted than similar titles, but has a decent share of serious moments, and juggles the “save the world!” message with the “OMG DOES HE LIKE ME OR NOT??” teenage drama in a way that doesn’t seem particularly stale or overdone. Now that the story is pretty much all set up, I’m looking forward to some more action in volumes 4-7; my memory of what happens next is spotty.

Ichigo is a likable heroine, and though she’s the main focus, her teammates are well-developed and get their own bits of page-time, and each member of the Mew Mew squad has a distinct personality, so no one really fades into the background. It’s tough to devote enough time to each character in manga with a pretty sizable ensemble cast, but all of the supporting Mew Mews – Mint, Lettuce, Pudding, and Zakuro – have their psyche explored at least a little bit in the first three volumes. Masaya is also a quirky, and somewhat unusual love interest for Ichigo; he’s dense (as all twelve-year-old boys are), but shows signs of a deeper awareness and just seems like an overall decent, honest fellow thus far. My least favorite character way back when I read this the first time was the alien Kish, and that remains true today – I still want to punch him in the face. Some things never change, I guess. Only now I also kind of want to punch Ryou, as well.

The art leans more to the “cute” style, but it’s pleasing to the eye, and the costumes and character designs for the girls are well done and aids their development as characters. The whole “fruit and pastry” theme is interesting and the design of the villains and the aliens are neat. I have never understood why 12-year-olds need to wear revealing costumes in manga like this, but in the case of Tokyo Mew Mew, it’s not as bad as others.

The main thing that stuck out to me is the way the story presents a message about literally “saving the world” – by caring for the environment, and treating the earth and all of its inhabitants with respect – as Ichigo and the girls battle the Chimera Animas and Kish and his goons. There’s even a bit of background to the aliens that alludes to their motives in a more sympathetic light, which is . It’s a unique way to spread the message of environmental preservation and the importance of aiding endangered species, and it does not feel as though it’s shoehorned in – it flows as a natural part of the story, and hopefully, when new young readers discover this series, the idea of caring for our earth will resonate with them.

Tokyo Mew Mew presents a fairly standard Magical Girl story with a unique, environmentally-conscious flair – a sweet pastry with a tart twist – and I look forward to delving into the last 4 volumes to see if the series maintains its charm throughout.

Current Tunes

For a bit of a smaller post this Friday, I thought I’d take a moment to list some of the songs that feature on my current playlist and have helped to boost my motivation lately.

Lauren AquilinaFools 
I only recently discovered this artist and am super bummed she doesn’t make music anymore (performing-wise, anyway), but I love all of the songs she has put out and appreciate all the thought that seems to have gone into them. Her lyrics are amazing and so incredibly evocative! And I think Fools is my favorite; it’s such a great song, though Oceans is a close second.

Beth CrowleyBattle Cry
I love all of her songs, and Midnight is my overall favorite, but Battle Cry is probably the one I’ve listened to the most over the last few weeks. The fact that she’s inspired by YA novels is such a cool concept to me, and even if I’m not familiar with some of the series she writes songs about, I find it easy to connect with and be inspired by her music.

I PrevailAlone
Back in high school, I was a dedicated follower of hard rock, but kind of fell off that wagon and onto a more indie/folk-based wagon, though I’ve maintained and kept up with a few staples. However, I’ve been getting caught up with some bands I’ve missed out on, and when I caught this song on the radio I was hooked. I love the sound and it’s helped reignite my appreciation for this type of music, so I look forward to re-exploring more of it.

Lady GagaMillion Reasons 
I love Gaga, and though nothing will EVER usurp Bad Romance in my eyes, Million Reasons is my favorite from her recent hits. It’s pretty clear in all of her songs that she really feels the music, which comes through in her performances. It’s a song that plucks at the heartstrings, and I never skip this one when it pops up on my shuffle.

NickelbackSong on Fire
I have always been a fan of Nickelback, and genuinely don’t understand the hate that they get. Song on Fire is a nice addition to their repertoire; it’s not as “hard” as some of their music tends to be, more in the vein of Photograph or Gotta Be Somebody. It’s got a nice message and is an overall pleasant listen.

AdnaNight
Adna has a unique, folksy sound that really makes her music stand out; I’ve only just recently stumbled upon her music and I’m super glad I did. Night is a pretty chill tune; kind of haunting, but very evocative.

WILDBack To You
Probably one of my favorite recent finds, I’ve just started following WILD but I love everything I’ve heard so far. Back To You is my favorite; it’s just a nice, catchy tune with an uplifting, folk sound, stellar vocals, and lyrics that flow. I eagerly anticipate new music from them in the future.

KarminaAll The King’s Horses
I enjoy music with a sort of “fantasy” type sound, and I had this song on repeat for at least a full day after I first heard it. The lyrics are great and it has a powerful, serious sound that helps provide some motivation while I’m writing, especially since my current project is in the fantasy vein.

ValleySoldier
After the first time I heard this song, it was stuck in my head for approximately 7 hours; and I didn’t even mind or get annoyed by it. It’s got an infectious tune and great lyrics, and it’s the kind of song that sounds “fun,” if you know what I’m saying.

Fall Out BoyThe Last of the Real Ones
I have clearly been living under a rock for the last few months because I had no idea that FOB had new music out until last week. And this song IS F*CKING GREAT. I’ve loved just about all of their discography ever since the beginning, but they’ve really been hitting it out of the park with their more recent albums, and this song is no different. LOVE IT, LOOK FORWARD TO MORE.

Manga Monday #5: Absolute Boyfriend (vol. 4-6)

*Warning! This post will contain MAJOR spoilers!*

Last week, I re-examined volumes 1-3 of Yuu Watase’s shojo manga Absolute Boyfriend, and this week, I’ll be tackling the end, volumes 4-6!

I went into the tail end of this series expecting to be blown away, and in all honesty, I wasn’t – I kept both feet planted firmly on the ground. But a few key points still stuck out, and I still find this series just as charming and funny on the second go-round as I did on the first. I do, however, now realize why a part of me prefers the Jdrama to the manga, when the opposite is usually true.

20171001_2145091421252900.jpgFirst of all, I am immensely glad that the series retains the humor factor the entire way through. The little bits of comedy, especially regarding Gaku and his “job,” and Night’s tendency to nearly expose his secret to others, make for a nice break from the more dramatic portions of the story, especially as the main narrative barrels toward the end and the emotional scenes become a priority. The art remains fantastic as well; totally pleasing to the eye and continually engrossing.

Of all 6 volumes, I think volume 4 is the weakest. First of all, I TOTALLY FORGOT about the “Mini-Night” story-line. While some meaningful revelations and interactions occur during that particular plot, it still feels like “filler.” Even the side-plot that occurs concerning Miyabe, one of Riiko’s friends, during this time didn’t strike me as vital to the plot. I understand the genre of this manga and what the standards are for this type of story, but I think the latter half of the plot seems to fall victim to the preoccupation with the love triangle, and it’s more of a detriment than a strength. It’s present in the first half of the series, but as the story builds and the love-triangle plot starts to take center stage, it began to bug me. And, as I said in the last post, I am all for a good love kerfuffle, but this one started to grate on my nerves. I mean, at least Riiko straight up admits she doesn’t know who she “really loves,” since she has feelings for both, but the pettiness between Night and Soshi and Riiko’s constant, “I don’t know” mentality gets a little stale after a while.

The pacing suffers a bit in the latter volumes; certain parts, like the finale, feel rushed, while others seem aimless. I didn’t realize volume 6 takes up only half the tankobon, and the other half is two little one-shot stories totally unrelated to Absolute Boyfriend. BUT, they are both pretty cute, and well worth a read!

My biggest beef on this read-through is Soshi’s character. I hated the way Soshi behaved when he found out about Night’s “figure” status, as he amped up the jealous/forceful factor to about a 9 on the “he needs to calm the eff down” scale. It’s understandable for him to be frustrated, of course – the girl he loves is torn between him and a man who is not technically “real,” and if that were me, I’d feel like a grade-A loser – and his reaction is… less than pleasant, to the point where it does teeter a bit over the “too intense” line. And while Riiko can be a bit of a waffle sometimes, and wishy-washy like a lot of heroines tend to be, I think Soshi genuinely needed to chill. He does, eventually – but my opinion on his character really soured in the latter half of this series. Especially when he kisses Riiko while she’s sleeping. Not cute, Soshi. Not. Cute. And the “YOU DON’T DESERVE HER… no wait, I don’t deserve her… BUT YOU DON’T DESERVE HER EITHER” got old real quick.

Though I’m older now, and some of the events and decisions made in this manga no longer resonate with me or stand out as something I can relate to, I do still massively appreciate the way this manga ends. Even when I was a teenager, I didn’t expect Riiko/Night to be endgame. It was just not realistic, and I applaud the mangaka for not taking some absurd, Pinocchio-esque “I’m a real boy!” twist to make it so that Night will be able to remain in Riiko’s life permanently, without consequence. And I will admit, I got a little choked up when Night’s body fails and Riiko desperately tries to wake him, only to realize that he’s gone forever. I remember openly sobbing over it when I read it the first time, so I’m not surprised it still yanked at the ol’ heartstrings. Boy, that pummeled me right in the feels, even so many years later. Their relationship was never going to last, but that doesn’t make the ending any less significant, and by the end, I felt as though I had witnessed real growth in Riiko (and, to some extent, Soshi ) thanks in large part to her relationship with Night, and her experiences with him seemed to make her a better person overall. It’s a bittersweet ending that is handled exceptionally well, which seems difficult to pull off for a series of this nature.

All in all, Absolute Boyfriend doesn’t hold quite the same allure for me as it did when I was a teen, but it still contains messages and stories that are relevant today and it is an entertaining read all the way through, despite some parts that gnawed at my nerves. Through a tedious love triangle and a bit of inconsequential “filler,” Absolute Boyfriend still nails the comedy and packs an emotional wallop where it really matters.

Next Monday, we’ll tackle either Tokyo Mew Mew by Reiko Yoshida and Mia Ikumi, or Tsubasa: Those With Wings by Natsuki Takaya. Until then!

Virtual Blog Tour Wrap Up!

After a fun month, the virtual blog tour for my YA novel, I’m With You, has come to a close. I had a great time stopping by different blogs and spreading the word about my work! Big thanks to RABT Book Tours for setting everything up, and also to all the hosts who graciously allowed me to stop by their blogs.

IMG_20170429_152725_395If you missed any of my guest posts, here they are:

Mythical Books
Full Moon Bites
Tele’s Word Bites
This and That Book Blog

 

Here are the interviews:

Paranormal Romance
A Life Through Books

And here are the reviews:

Adventures Thru Wonderland
Texas Book Nook
The Indie Express
Novel News Network

All the other stops (excerpts, spotlights) can be found on the tour page, which is HERE. Check out all the different blogs, and maybe pick up some new reads, as well!

The tour may be over, but I’m With You is still only $1.99 or (£1.55) and paperback is $9.99 on Amazon Amazon UK. The paperback is also $9.99 at Barnes and Noble!

Manga Monday #4: Absolute Boyfriend by Yuu Watase (vol. 1-3)

*Warning, this post contains minor spoilers!*

I’m not going to lie, I was initially leery of this series because of the “scandalous” cover of the first volume, which features a mostly naked man. I didn’t want to buy it in stores because I didn’t want the cashier at Borders to judge me, so I ended up buying the entire series online. Bear in mind, I was an awkward teenage girl at that time.

However, I do remember loving this manga, because I also binged both the Japanese and Taiwanese drama adaptations (Japanese first – the Taiwanese one wasn’t out yet). I also splurged on another of Yuu Watase’s works, Alice 19th, which I will be revisiting later for this blog series. But will Absolute Boyfriend stand the test of my growing cynicism and jaded view of the world?

~Reading Break~

Absolute Boyfriend follows Riiko Izawa, a 16-year-old girl who yearns for a boyfriend. After a string of rejections and a chance meeting with a mysterious salesman, Riiko ends up in over her head when a boyfriend is delivered right to her door. The problem is… he’s a cybernetic doll, and he’s determined to prove to Riiko that he can be her “ideal boyfriend,” which causes mayhem in Riiko’s life. But can Riiko develop a real relationship with a man who isn’t?  Absolute Boyfriend ran from 2003-2005 and was completed at 6 volumes.

After re-reading the first 3 volumes, the points that appealed to me on my first read-through continued to resonate. Absolute Boyfriend is a series that relies on familiar tropes, but presents those elements in a fresh, and sometimes unexpected, way.

Riiko is an understandable heroine and a believable teenage girl. She’s sixteen, she makes mistakes, she’s awkward, and she struggles with her budding feelings for Night as well as her confusion over her interactions with childhood friend, Soshi. She also has a (somewhat hilarious) violent streak, and she grapples with money problems, jealousy, betrayal, and the stresses of high school. Night, the “absolute boyfriend” of the title, is a combination of chivalrous, hilarious, and frustratingly naive, as his actions and his stalwart dedication to Riiko constantly cause trouble for her and threaten to expose his true identity. He’s an enjoyable and charming lead, although his outbreaks of jealousy and occasional violence are a drawback. However, since he’s programmed to Riiko’s tastes, his possessiveness serves a dual purpose; it shows both Riiko and the reader what can happen when a boyfriend acts that way. Soshi, the last lead, is a typical “boy next door,” but he shows some unique traits that separate him from the stereotype. He’s loyal and sure of his feelings for Riiko, but also shy and uncertain when he compares himself to Night.

Though the “love triangle” bit is a common trope in shojo manga (and the YA genre in general), Absolute Boyfriend goes about it in a way that doesn’t feel overused. I know they’ve been beaten into the ground, but honestly, I love a good love triangle if it’s done well or done in a unique fashion, and this one does strive to separate itself from the pack, especially since one member of the triangle is an AI. All three sides of the triangle – Riiko, Soshi, and Night – also function independently of one another, so their complex romantic entanglements, despite serving as the crux of the story, don’t become the sole focus. There’s plenty of other issues and story-lines going on in this manga, so the love triangle doesn’t feel like a stale addition to a tired plot.

Also, this is the first shojo manga I read that really delves into the topic of sex in a relationship, and it’s handled very well. Riiko must sleep with Night in order to make him “permanently” hers, so he can never be claimed by another, but she says she doesn’t want to take a step like that until she’s truly in love and is ready for it. Despite constant pressure by Gaku – the Kronos Heaven employee who helps her out with Night – she doesn’t relent in her decision to wait until she’s certain she wants to progress the intimate nature of her relationship with Night, and I think it’s a good message to send. The manga isn’t “sex negative” or anything – in fact, it comes across as positive – but stresses the idea of people being ready for such a step at different times, which is nice to see acknowledged. There’s some other progressive ideas inserted into the story as well, which I didn’t remember from my first read-through, but appreciated seeing on a reread.

There’s also a nice blend of humor and drama/romance in the plot over the first 3 volumes. Riiko battles with recognizable issues, often with comedic setbacks and dramatic conclusions, and the story’s pacing is well-balanced. The serious parts don’t overwhelm and drown out the comedy and vice versa. The narrative explores a unique question about artificial intelligence, genuine emotion, self worth, and the potential drawbacks and positives of building romance, and it does so in a way that feels fresh and new, even though the series is over a decade old.

Yuu Watase’s art is also excellent; I love her character designs, as it’s clear that a ton of effort has gone into them. The different textures and inking is also very impressive, and I remember being just as struck by it back when I read it the first time as I was on this reread. The art style also lends itself well to humorous parts of the story; the facial expressions and reactions are on point, and I actually chuckled out loud during a few panels, which is due to the art as well as the content.

Overall, I’ve enjoyed my reread of Absolute Boyfriend so far – it’s definitely one that should not be judged by the cover, as I’ve found it more compelling than the brief summary and a glimpse of the cover art would imply. I look forward to re-experiencing volumes 4-6, and see if my reaction to the conclusion will change!